Results 61 to 70 of about 2,245 (182)
मेलपत्तूर्-नारायणभट्टत्तिरिपादानां भक्तिरसवैशिष्ट्यम्
This article explores the profound significance of bhakti (devotion) as portrayed in Śrīmannārāyaṇīyam, the devotional Sanskrit masterpiece composed by Melpathur Narayana Bhattathiri.
S. Badhrinath
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Mortal Combat and the Hereafter: saṃparāya and sāṃparāya in Sanskrit Literature
Sāṃparāya is a comparatively rare word in Sanskrit literature that has been translated in various ways, among them ‘battle’, ‘the next world’, and ‘transit to the next world’.
Haas, Dominik A.
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Buddhist terminology of the Oirat version of “Subhashita” and “Hymn to 21 Tara”
In the development and enrichment of the vocabulary of Mongolian languages an important place is given to borrowings, a large layer of which is Buddhist vocabulary.
E. U. Omakaeva
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उत्तररामचरित के लोकव्यवहार मूलक सूक्तियों की साम्प्रतिक उपादेयता
There are two well-known forms of Sanskrit literature, one Vedic literature and the other secular literature. Vedic literature includes Brāhman, Āraṇyaka, Upaniṣad and secular Sanskrit includes Rāmāyaṇa, Mahābhārata, Purāṇas, etc.
Rita Roy
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संस्कृतवाङ्मये प्रतीकात्मकरूपकाणां समीक्षणम् (A review of Allegoric Plays in Sanskrit Literature)
The word symbol is derived from the suffix kikach by the formula alika and others from the prefix in by derivation, perceived or known. This tendency of the word in the sense of limb, organ, body.
Bhaskara Chatarji
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John P. Clay and the Clay Sanskrit Library
Manuscript and Text Cultures is published in collaboration with the Digital Clay Sanskrit Library (eCSL). The Clay Sanskrit Library is a book series initiated by John P.
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Storytelling and accountability for illness in Sanskrit medical literature [PDF]
A study of storytelling as an explanatory model for health and illness in the classical Sanskrit literature of Ayurveda.
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हरेकृष्ण-मेहेरस्य संस्कृतकाव्येषु पारम्परिकच्छन्दोयोजना
Chhanda plays an important role in both Vedic and Classical Sanskrit. In Classical Sanskrit Literature, both Varna-chhandas and Matra-chhandas are seen. Amalgamation of tradition and modernity is marked in Sanskrit kavyas of Harekrishna Meher, a renowned
सस्मिता साहु:
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Aesthetic Significance of Forests as Described in Sanskrit Kavyaliterature
This chapter has discussed the aesthetic significance of forests. Forest is a God-given natural property. Many poets have discussed the forest in their Kāvyas. In Sanskrit literature, forests description has been done in huge forms.
Sanghamitra Dash
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Krauncha and Sarasa in Sanskrit Literature
The author is discussing the cultural and historical significance of cranes, especially the Sarus crane in various countries like India, China and Australia and religions like Hinduism, Jainism, and Buddhism. Ancient Indian texts including the Rig Veda and Ayurveda mention cranes.
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