Results 11 to 20 of about 13,338 (227)
From Dilmun to Wādī al‐Fāw: A forgotten desert corridor, c. 2000 BC
Abstract There is a lacuna of knowledge on the inland trade routes across Bronze Age central Arabia, which this article seeks to fill based on new evidence from Wādī al‐Fāw, Saudi Arabia. Contrary to a common belief that interior Southeast Arabia after the Holocene Humid Phase and until the domestication of the dromedary had turned desolate Badlands ...
Steffen Terp Laursen, Faleh al‐Otaibi
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Abstract This contribution explores the relationship between performance and art museum practice, through a creative practice‐led approach, as part of a collaboration with MUVE, Fondazione dei Musei Civici in Venice. The focus here is on the exploration of performance opportunities embedded in the museography of the case study institutions ...
Jacek Ludwig Scarso
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BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)
ABSTRACT As an important site of cross‐cultural exchange, theatre translations performed in Britain form key routes for international writers to be introduced to, and to influence, British audiences and theatre‐makers. This article introduces Jack Thorne's 2017 adaptation of Woyzeck by Georg Büchner, performed at the Old Vic Theatre in London, as a ...
Joseph Prestwich
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Levels of presence in the drama text: Between close and distant reading1
Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
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Staging Grounds: Loutherbourg and Warley
In 1778, Philippe‐Jacques de Loutherbourg began work on a pair of companion pictures marking George III's attendance at a spectacular military review on the broad expanse of Essex wasteland that was Warley Common. Scholars of the painter's art have largely overlooked these ambitious, large‐scale landscapes, but their commission and subsequent display ...
John Bonehill
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Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
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CENOGRAPHY AT UTFPR AND PARTICIPATION IN THE QUADRIENNAL OF PRAGUE 2019
This paper presents a contextualization of the teaching of scenography at the Federal University of Technology – Paraná (UTFPR). We talk about extension projects, curricular teaching activities in the Bachelor of Design course, scientific events and we ...
Ismael Scheffler
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Societies developed throughout history with the development of life technology, that ideas presented by the contemporary art have been crystallized. The development included all the artistic fields such as the dramatic arts which depend on many effects ...
qabas ahmed ibrahem
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This paper explores contemporary Irish-European identity as staged at the Gate Theatre, Dublin. The selected plays challenge contemporary Irish perspectives on form, style, politics and scenography and as the paper argues, highlight the interconnected ...
Barry Houlihan, Grace Vroomen
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Du voyage en URSS à la mise en scène du voyageur
The aim of this paper is to study the literary scenography in André Gide’s and Paul Nizan’s accounts of their travels in the USSR. These travel accounts have often been read from a political angle that only takes into account the ideological content ...
Alex Demeulenaere
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