Mechanisms for Development of Scenography Galleries Iraq Natural History Museum
This paper deals with the problem of the mechanics of the operation of cinematography in the development of museum exhibition halls. In the first chapter, the researcher dealt with the problem and presented it to reach the goals and purpose of the ...
Waad A. Mahmoud
doaj +1 more source
Putting a Spin on Circulating Reference, or How to Rediscover the Scientific Subject [PDF]
Bruno Latour claims to have shown that a Kantian model of knowledge, which he describes as seeking to unite a disembodied transcendental subject with an inaccessible thing-in-itself, is dramatically falsified by empirical studies of science in action ...
Kochan, Jeff
core
Virtual reality in theatre education and design practice - new developments and applications [PDF]
The global use of Information and Communication Technologies (ICTs) has already established new approaches to theatre education and research, shifting traditional methods of knowledge delivery towards a more visually enhanced experience, which is ...
Beardon C. +3 more
core +1 more source
Pseudonyms, Propaganda, and Prints: The Life and Political Caricatures of William Dent, 1782–931
Abstract ‘Dent was probably an amateur and nothing is known of his life’, state Bryant and Heneage. Despite contributing to caricature's ‘golden age’, William Dent remains overlooked compared to contemporaries like James Gillray. Dent's extensive portfolio (1782–93) and rumoured role as a Pittite propagandist have not secured his place in the canon of ...
Callum D. Smith
wiley +1 more source
The relevance of the research topic is justified by its contribution to the sustainable development of cultural values, using the example of the creative artistic activities of the renowned Kazakh singer, Dimash Qudaibergen.
Meruyert Zhanguzhinova
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Grotesque and Scenography. Virtual reconstruction of anthropomorphic supports within the entry of Philip II in Antwerp (1549) [PDF]
This paper aims to analyse the presence of a motif from the Flemish repertoire of the grotesque in the configuration of a unique type of anthropomorphic support used in the ephemeral architecture erected on Philip II of Spain’s entry into Antwerp in 1549.
Gonzalez-Roman, Maria del Carmen
core
Artists in Nursery Schools: Enabling Free Play and Self‐Expression Through the Arts
Abstract The purpose of this research was to analyse the presence of artists in nursery schools by means of two proposals to promote free play and self‐expression for children between one and 3 years‐old and their families. Researchers compiled evidence from the perspective of three atelieristas and other participating adults, through interviews and ...
Ainhoa Gómez‐Pintado +1 more
wiley +1 more source
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Les expositions du World Press Photo : réenchanter le photojournalisme ?
Each year, the World Press Photo winning photographs are made into a traveling exhibition. Present all over the world, ephemeral and disposable, this show seems similar to a mass media but epitomizes processes of fetichization and valorisation of press ...
Claire Ducresson-Boët
doaj +1 more source
“Orfeo” Scenographies and Dressing
Histories of Postwar Architecture, No. 9 (2021): Leonardo Ricci (1918-1994).
openaire +3 more sources

