Results 51 to 60 of about 13,338 (227)

The expressive values of textile and costume designs in the scenography of the Iraqi theatrical show

open access: yesالاكاديمي
The research deals with the study of the expressive values of fabrics and costumes in the scenography of theatrical performance as one of the important elements in the theatrical performance because it occupies a physical space above the stage and at ...
Diyar Fawzi Muhammad   +1 more
doaj   +1 more source

The Hollow Crown (1985) [PDF]

open access: yes, 1985
Devised by: John Barton Director: Richard D. Parks Set Design: Donamarie Reeds Costumes: Rhonda W. Roper and Audrey M.
San Jose State University, Theatre Arts
core   +1 more source

Wearable performance [PDF]

open access: yes, 2009
This is the post-print version of the article. The official published version can be accessed from the link below - Copyright @ 2009 Taylor & FrancisWearable computing devices worn on the body provide the potential for digital interaction in the world. A
Birringer, J, Danjoux, M
core   +1 more source

Narrative Switching in Entrepreneurial Failure Accounts: Unravelling Discourse Dynamics and Variability

open access: yesBritish Journal of Management, Volume 36, Issue 4, Page 1616-1634, October 2025.
Abstract This inductive study investigates the phenomenon of narrative switching in accounts of failure within entrepreneurial contexts, which occurs when a narrator suddenly switches to an alternative story of the events within the same interaction.
Rachid Jabbouri   +3 more
wiley   +1 more source

The Development of Museology in 1930s China: Western Influences and Early Reflections

open access: yesCurator: The Museum Journal, Volume 68, Issue 4, Page 656-672, October 2025.
ABSTRACT This article explores the emergence of museology in China during the 1930s, tracing its development through the establishment of the Museums Association of China and the analysis of early publications. It examines the influence of Western concepts on Chinese museum theory and practice, particularly regarding exhibition techniques.
Daphné Sterk
wiley   +1 more source

Quand parcourir l’espace c’est remonter le temps. Le voyage dans le village de l’allemand de Boualem Sansal

open access: yesMultilinguales, 2017
A call from the past induces a call from the outside, consequently a closed- loop process is implemented where travels, by reading and displacement, in time and space go hand in hand.
Hamza Hadjar
doaj   +1 more source

What is (the) matter with climate litigation? Law, nature, and the limits of legal technique

open access: yesJournal of Law and Society, Volume 52, Issue 2, Page 159-180, June 2025.
Abstract This article examines how nature is mediated by law in climate cases. In the Federal Court of Australia decision in Minister for the Environment v. Sharma (2022), the court applied a narrow definition of ‘matter of law’ (justiciability), and thereby negated ‘matter in law’ (such as carbon dioxide and ecological destruction).
STEWART MOTHA
wiley   +1 more source

Archivists and Thespians: A Case Study and Reflections on Context and Authenticity in a Digitization Project [PDF]

open access: yes, 2016
During a recent digitization project between archivists and theater faculty at Southern Illinois University Carbondale (SIUC), different assumptions and perspectives revealed competing ideas about context and authenticity of primary sources. This article
Gorzalski, Matthew J
core   +2 more sources

Sovereignty and the Persistence of the Aesthetic

open access: yesThe Modern Law Review, Volume 87, Issue 6, Page 1393-1421, November 2024.
British constitutional thought tends to understand sovereignty in legalistic terms, with the concept often equated with the doctrine of parliamentary sovereignty. As Loughlin and Tierney have recently argued, this approach obscures the political considerations which undergird the legal precept. In this article we argue that this approach misses a third,
Illan Wall, Daniel Matthews
wiley   +1 more source

Il Musico (1986) [PDF]

open access: yes, 1986
Playwright: Ian Strasfogel Director: Robert Jenkins Set Design: Richard Arnold, Jr. Costumes: Katherine Irvine Academic Year: 1985-1986https://scholarworks.sjsu.edu/productions_1980s/1049/thumbnail ...
San Jose State University, Theatre Arts
core   +1 more source

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