Results 101 to 110 of about 1,340 (121)
Review: Body Knowledge Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century, by Mary Simonson [PDF]
, 2015 Kostic Cisneros, Rosamaria E.
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‘One must at least begin with the body feeling’: Dance as filmmaking in Maya Deren’s choreocinema [PDF]
, 2016 Cleghorn, Elinor
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2018
A través de esta colección se pretende comunicar los últimos análisis desarrollados en el estudio de la videodanza, incluyendo todas las manifestaciones de film de danza. En cada número de la colección se presenta un estudio sobre un tema concreto que podrá estar basado en aproximaciones históricas a la videodanza, análisis de géneros, subgéneros y ...
Blas Pairy, Rafael Vicente Arnal Rodrigo
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A través de esta colección se pretende comunicar los últimos análisis desarrollados en el estudio de la videodanza, incluyendo todas las manifestaciones de film de danza. En cada número de la colección se presenta un estudio sobre un tema concreto que podrá estar basado en aproximaciones históricas a la videodanza, análisis de géneros, subgéneros y ...
Blas Pairy, Rafael Vicente Arnal Rodrigo
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Films, Recordings, and Screendance Works
2020The chapter begins by noting the significance of the development of audiovisual recording technology for how dance works are conceptualised. Distinctions between different types of dance film are drawn, building on typology developed by Noël Carroll. The chapter discusses ontological and epistemological issues raised by these different types of dance ...
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2016
As screendance has evolved, its foremost theorists have been remarkably generous in welcoming works that flicker in the space between stage and screen, where they cast strange shadows and illuminate uncanny forms. Catherine Galasso’s Bring on the Lumière!
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As screendance has evolved, its foremost theorists have been remarkably generous in welcoming works that flicker in the space between stage and screen, where they cast strange shadows and illuminate uncanny forms. Catherine Galasso’s Bring on the Lumière!
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Privileging Embodied Experience in Feminist Screendance?
2016This chapter takes an approach grounded in feminist phenomenology to consider the work of four screendance filmmakers: Maya Deren, Yvonne Rainer, Amy Greenfield, and Sally Potter. With particular attention given to Deren’s Meshes of the Afternoon and Greenfield’s Tides, the chapter contends that their creative practice is grounded in a cinema of the ...
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