Results 1 to 10 of about 450 (120)
The International Journal of Screendance 2010
No abstract availableOriginally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
Douglas Rosenberg
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Techniques Developed in Early Cinema to Edit and Choreograph Unscripted Footage
This article explores some of the editing and filming techniques developed in Early Cinema, and that are still valid when choreographing found footage today. The Lumière Brothers started revealing the choreographic nature of daily actions. Georges Méliès
Blas Payri
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Moving with the Screen on Zoom: Reconnecting with Bodily and Environmental Awareness
Rather than seeing Zoom as a replacement for practicing movement and dance in a shared physical space, I propose to consider our relationship with the screen on Zoom as a movement in its own right.
C. Loussouarn
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No abstract available.
Kyra Norman
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‘Meta-Choreographies’ Between the Desktop and the Stage
How does one re-use pre-existing material in order to form an expanded choreographic practice of relating to audio-visual archive without being considered of stealing or lacking originality?
Ariadne Mikou
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When ‘Being’ Becomes ‘Doing’: Representing Queer Masculinities in Screen(dance) Space
Departing from the proposal set out in Amelia Abraham’s Queer Intentions: A (Personal) Journey Through LGBTQ+ Culture - that although being gay is now largely accepted in the global north, there is still a disparity in the acceptance of actions - I ...
Callum Anderson
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Book Review: Dancing Women: Choreographing Corporeal Histories of Hindi Cinema by Usha Iyer (2020)
No abstract available.
Sandhiya Kalyanasundaram
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IJSD Volume 8 Editorial: Solo/Screen
This volume did not start out as a themed issue, but similarities will emerge among any collection of essays when ideas and authors find themselves in proximity to one another.
Harmony Bench, Simon Ellis
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