Results 1 to 10 of about 324 (96)
Understanding The “Dance” In Radical Screendance
The International Journal of Screendance, 2014 There was a time when screendance implied a dancing body. The “dance” may have taken the shape of formal vocabulary or a looser interpretation of movement as dance, but common to either approach would have been the sight of humans in motion.
Anna Heighway
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Danza e Ricerca, 2021 The Chinese screendance evolved with variations in definitions and way of practices from the same art discipline emerged in the West. It came through a unique historical path of the cultural foundations of its own original references.
Xiao Huang
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Lithium dancing (hidden in plain sight)
The International Journal of Screendance, 2022 In this article I explore screendance’s affair with social media, and the logics of production and consumption endemic to dancing for and with smartphones.
Simon Ellis
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Screendance Narratives from around the Mediterranean Sea
The International Journal of Screendance, 2020 The European Mediterranean appears to be an active key player for the production and circulation of screendance. Focusing this research on the pre-pandemic state of screendance in Italy, France, Greece and Spain and employing a methodology of one-to-one ...
Ariadne Mikou
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Screendance in the Wake of Screened Dance: Moving Forward Through Interactive Video
The International Journal of Screendance, 2021 This paper argues that screendance has always had a potential for interactivity, looks specifically at interactive video, and tracks its history through video art and video games.
Callum Anderson
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How Screendance Was Invented While We Were Busy Claiming It Wasn’t
The International Journal of Screendance, 2019 Many screendance authors seem to worry about the marginalized state of the practice and its lack of a solid scholarly discourse. This leitmotif goes against my perception of screendance as one of the fastest growing fields in dance, both in practice and ...
Katja Vaghi
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IJSD Volume 8 Editorial: Solo/Screen
The International Journal of Screendance, 2017 This volume did not start out as a themed issue, but similarities will emerge among any collection of essays when ideas and authors find themselves in proximity to one another.
Harmony Bench, Simon Ellis
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Body, Space & Technology Journal, 2013 This article looks at the relationship of Screendance, time and loss through an analysis of a film triptych, made in 2010, called 'Things that start slowly'. With particular reference to Mulvey’s 'Death 24x a Second: Stillness and the Moving Image (2006)'
Anna Macdonald
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Curatorial Practices for Intersectional Programming
The International Journal of Screendance, 2018 Screendance finds its roots in the traditions of concert dance, museum culture, and film festivals. Film festivals - from which we borrow the structure for programming screendance - boast a history of discrimination towards bodies of color, varied gender
Cara Hagan
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