Results 11 to 20 of about 324 (96)
Going Nowhere: Screendance and the Time of Dying
The International Journal of Screendance, 2017 This article considers a particular temporality—referred to as a state of moving stillness—within two different events: the screendance body that moves without appearing to get anywhere, and the dying body that moves but is not moving to anywhere.
Anna Macdonald
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The International Journal of Screendance, 2017 Screendance works often comprise multiple authorial perspectives. The camera, staging, sound, choreography and context all contribute to the aesthetic and conceptual potential of the work. This provocation draws on Tamara Tomić-Vajagić’s (2016) notion of
Hetty Blades
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The International Journal of Screendance, 2019 In this provocation, I ask what is it to watch screendance, what is at stake, and what comes into play? I suggest that in identifying works as examples of “dance on screen”, we enter into a complex history of aesthetic innovations, marketing criteria ...
Sherril Dodds
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The International Journal of Screendance, 2013 No abstract available. This review essay was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 3 (2013), Parallel Press.
Karen Pearlman
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Intimate Encounters: Screendance and Surveillance
The International Journal of Screendance, 2017 This article explores some ways in which screendance might invite a greater or deeper degree of kinesthetic empathy than is traditionally possible with live performance.
John White
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The International Journal of Screendance, 2016 This article aims to extend the idea that screendance is a set of dispositions and elements which can create a common practice for artists of various backgrounds.
Priscilla Guy
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Notes on Pandemic-Era Screendance-making
The International Journal of Screendance, 2021 No abstract available.
Rebecca Salzer
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Artistic Strategies in the screendance Fôlego
Revista Brasileira de Estudos da Presença, 2023 This article explores the screendance Fôlego (2018), whose theme addresses the violence practiced against black bodies in contemporary times. To that end, this work presents a brief overview about the historicity of slavery in Brazil, in particular ...
Diogo Angeli, Marcelo Rocco
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Screendance as enactment in Maya Deren’s At Land
DATJournal, 2018 The dancer, choreographer, and filmmaker Maya Deren can be seen as one of the pioneers of screendance. Her experimental films have challenged conventional plot- driven mainstream cinema by emphasizing an ambiguous experience, open for multiple ...
Pia Tikka
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The International Journal of Screendance, 2016 No abstract available.
Hamish MacPherson
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