Results 41 to 50 of about 324 (96)
Faces, Close-ups and Choreography: A Deleuzian Critique of So You Think You Can Dance
The International Journal of Screendance, 2014 In everyday life the face occupies a central position within human expression and social interaction: its features are perceived to present a unique identity, and we breathe, consume and communicate through our faces.
Sherril Dodds, Colleen Hooper
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Magic Mike, Dirty Dancing, and the (Empty) Promise of Heteromasculinity
The International Journal of Screendance, 2018 In 1987, Eddie Murphy performed a comic sketch about white men dancing that would inform future movers and makers of white male dancing in American popular culture, helping to create a trope mocking white men for their inability to dance, most often ...
Addie Tsai
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IJSD Volume 6 2016 Field Perceptions: Full Issue
The International Journal of Screendance, 2016 The full issue of IJSD vol. 6 (2016). Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen.
Harmony Bench, Simon Ellis
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The International Journal of Screendance, 2019 A review of Dance’s Duet with the Camera: Motion Pictures edited by Telory D. Arendell and Ruth Barnes.
Elisa Frasson
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Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show
The International Journal of Screendance, 2018 This study explores the construction of black hypermasculinity in television talent show competitions through the re-valuing of spectacle as an aesthetic experience. Drawing on a screendance analysis of eighteen duet, trio and group performances featured
Laura Helen Carol Robinson
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The International Journal of Screendance, 2019 Review of Charles Atlas edited by Lauren Wittels.
Kyle Bukhari
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IJSD Volume 7 2016 All This: Full Issue
The International Journal of Screendance, 2016 The full issue of IJSD vol. 7 (2016). Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen.
Claudia Kappenberg +3 more
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Choreographing “ChinAfrica” through Transnational Encounter
The International Journal of Screendance, 2018 A dance film made by two Belgian directors collaborating with Guangdong Modern Dance Company, An African Walk in the Land of China (2015) attempts to explore the encounter of an African woman with Chinese workers in urban China in the age of “ChinAfrica.”
Jingqiu Guan
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IJSD Volume 8 2017 Solo/Screen: Full Issue
The International Journal of Screendance, 2017 The full issue of IJSD vol. 8 (2017). Please note: For the best offline reading experience, please print double-sided on 8.5x11 paper. Links to online sources are live in the PDF if read onscreen.
Harmony Bench, Simon Ellis
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The International Journal of Screendance, 2015 This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Director of the Sans Souci Festival of Dance Cinema. They talk about the creative process of a videographer, the Sans Souci Festival, and the importance of ...
Heike Salzer, Ana Baer
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