Results 61 to 70 of about 324 (96)
Proceedings of the international screendance meeting
, 2016 The International Screendance Meeting, Valencia 2016, is intended as a forum for exchanging academic ideas and analyses of the creative processes around screendance, videodance or choreocinema. The proceedings cover different topics focusing on the pas-de-deux dance of the camera with the body, the definition and use of the filmic space, and the ...
Payri, Blas +1 more
openaire +3 more sources
In and Out of Place: Site-based Screendance
The International Journal of Screendance, 2018 No abstract availableThis article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
openaire +3 more sources
Documentary screendance-making as a practice of kindness
, 2021 In this essay I reflect on the mobilization of feelings of kindness as activated in the making of the documentary screendance El Cuerpo Partido (The Broken Body). The film integrates the narratives of five Nicaraguan refugees with my experience as dance facilitator working with displaced communities in Costa Rica.
openaire +1 more source
Dancing Through the Lens: Reimagining Screendance for a Diverse Future
In this chapter, authors Ami Skånberg and Cara Hagan explore educational approaches for screendance, a hybrid art form that weaves together choreographic and cinematic practices. They share how screendance as a field has evolved, and how it slowly starts to become a part of higher education.
Ami Skånberg, Cara Hagan
openaire +1 more source
O corpo híbrido em Screendance
Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes, 2017. ; Esta pesquisa aborda o corpo híbrido na obra em screendance, reconhecendo neste corpo o cruzamento de elementos humanos e computacionais digitais.
openaire +2 more sources
Screendance : history and aesthetic singularities of a hybrid genre
, 2016 Screendance is a hybrid artistic form which inextricably interweaves the technical and aesthetic properties of both dance and cinema. It is not a new genre: in a certain sense, screendance has existed since the very beginnings of cinema. It was first theorised, however, in the mid-1940s by Maya Deren, whose film-manifestoA Study in Choreography for ...
openaire +1 more source
Screendance Symposium 2011\ud \ud \ud
Invited to screen works from the 'Unfairground Ride' series of dancefilms. The event was curated by Liz Aggiss. The symposium is an open event - a gathering of artists, curators, researchers and students. Speakers included Catherine Wood, Curator Contemporary Performance at Tate Modern and choreographer Siobhan Davies. This is an international research
openaire +1 more source
Some of the next articles are maybe not open access.
Related searches:
Related searches:
2016
As screendance has evolved, its foremost theorists have been remarkably generous in welcoming works that flicker in the space between stage and screen, where they cast strange shadows and illuminate uncanny forms. Catherine Galasso’s Bring on the Lumière!
exaly +2 more sources
As screendance has evolved, its foremost theorists have been remarkably generous in welcoming works that flicker in the space between stage and screen, where they cast strange shadows and illuminate uncanny forms. Catherine Galasso’s Bring on the Lumière!
exaly +2 more sources