Results 71 to 80 of about 324 (96)

Screendance festivals

2018
A través de esta colección se pretende comunicar los últimos análisis desarrollados en el estudio de la videodanza, incluyendo todas las manifestaciones de film de danza. En cada número de la colección se presenta un estudio sobre un tema concreto que podrá estar basado en aproximaciones históricas a la videodanza, análisis de géneros, subgéneros y ...
Blas Pairy, Rafael Vicente Arnal Rodrigo
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Screendance

2020
L’incontro fra la danza classica, moderna contemporanea e il mondo dell’immagine in movimento produce la nascita di un genere, la Screendance, nella quale i due ambiti sono indissolubilmente legati per sperimentare il rapporto fra corpo, immagine e movimento.
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Toward a Theory of Screendance

2012
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Toward an Aesthetical Approach to Screendance

2016
Technological objects which materialize the permanent emergence of the new and define one of the manifestations of present-day screendance need to be revalued in terms of aesthetic approach. Considering as a starting point Immanuel Kant’s opposition to any standards of taste—that is to say to any criteria of beauty considered as an objective foundation
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Extending the Discourse of Screendance

2016
Over the past twenty years, new choreographic forms have emerged that involve digital processing for their conception, fabrication, and presentation. These new practices are introducing modes of discourse that call into question the ways that choreography, the body, and performance are traditionally viewed and understood; the terms "digital dance" and "
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A Space of Time: The Evolution of a Screendance Practice

2023
A Space of Time: the evolution of a screendance practice explores the relationship between making, writing and teaching as a model for developing screendance. It is a portfolio submission in which the accompanying thesis examines and expands upon the most recent iterations of the author’s artistic research.
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Corporeal Creations in Experimental Screendance

2016
This chapter examines experimental screendances that disrupt the traditional notion of the body by constructing bizarre corporealities. The chapter analyzes films that display choreo-cinematic experimentations on body representation, such as those of Thierry De Mey, Laurent Goldring, Antonin De Bemels, Wim Vandekeybus, and Pierre Yves Clouin.
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Privileging Embodied Experience in Feminist Screendance?

2016
This chapter takes an approach grounded in feminist phenomenology to consider the work of four screendance filmmakers: Maya Deren, Yvonne Rainer, Amy Greenfield, and Sally Potter. With particular attention given to Deren’s Meshes of the Afternoon and Greenfield’s Tides, the chapter contends that their creative practice is grounded in a cinema of the ...
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The Oxford Handbook of Screendance Studies

2016
The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance,
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Films, Recordings, and Screendance Works

2020
The chapter begins by noting the significance of the development of audiovisual recording technology for how dance works are conceptualised. Distinctions between different types of dance film are drawn, building on typology developed by Noël Carroll. The chapter discusses ontological and epistemological issues raised by these different types of dance ...
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