Results 51 to 60 of about 324 (96)
Reflections on Regards Hybrides, an International Forum (2019, Second Edition)
The International Journal of Screendance, 2020 No abstract available.
Douglas Rosenberg
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Performing Illness: A Dialogue About an Invisibly Disabled Dancing Body. [PDF]
Front Psychol, 2021 Pini S, Maguire-Rosier K.
europepmc +1 more source
IJSD Volume 6 Editorial: Field Perceptions
The International Journal of Screendance, 2016 No abstract available.
Harmony Bench, Simon Ellis
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Move: Durational Dance-Making as We Age. [PDF]
Front Sports Act Living, 2022 Nikolai J.
europepmc +1 more source
The International Journal of Screendance, 2010 No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press.
Douglas Rosenberg
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IJSD Volume 2 2012 Scaffolding the Medium
The International Journal of Screendance, 2012 No abstract available. Originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as The International Journal of Screendance, Volume 2 (2012), Parallel Press.
Claudia Kappenberg, Douglas Rosenberg
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The International Journal of Screendance 2010
The International Journal of Screendance, 2018 No abstract availableOriginally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
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Global Corporeality: Collaborative Choreography in Digital Space
The International Journal of Screendance, 2015 While in residence Spring 2014 in Riga, Latvia we directed Global Corporeality: Collaborative Choreography in Digital Space, an international intermedial collaborative choreographic project between dance students of the Latvian Academy of Culture (LKA ...
Joséphine A. Garibaldi, Paul Zmolek
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The International Journal of Screendance, 2015 In honor of the first centenary surrounding the pivotal composition and ballet Le Sacre du Printemps (The Rite of Spring) in 2013, Franck Boulègue and I coordinated a collective screendance project entitled Sacre/ilège(s).
Marisa C. Hayes
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