Results 31 to 40 of about 324 (96)

From Ephemeral to Digital: A Phenomenological Study of Screened and Live Contemporary Dance Performance

open access: yesBody, Space & Technology Journal, 2023
Employing the lens of screen dance theory and film phenomenology the aim of this essay is to explore the effect of including screened dance into live performance on the choreographic methods and on the experience of watching dance.
Dara Milovanovic
doaj   +2 more sources

Ghanaian Screendance Perspectives: The Nuance of ‘Sankofaism’ as Emerging Aesthetics and Rejection of Orthodoxy

open access: yesThe International Journal of Screendance, 2016
Screendance is a hybrid art in which choreographic and film techniques are necessary for creating texts where the body dialogues with camera. Ghanaian dance film is best understood within the context of postmodern discourse.
Samuel Benagr, Terry B.K. Ofosu
doaj   +1 more source

Audience as Community: Corporeal Knowledge and Empathetic Viewing

open access: yesThe International Journal of Screendance, 2015
This essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in
Karen Wood
doaj   +1 more source

Rippling Outwardly: Archives With Augmented And Mixed Reality

open access: yesThe International Journal of Screendance, 2022
In this article I propose that augmented reality (AR) and mixed reality (MR) have the potential to expand the notion of a Screendance archive. This takes the form of a hybrid installation, where visitors are invited to download an AR app onto their ...
Jeannette Ginslov
doaj   +1 more source

Digital Spaces, Analogue Thinking: Some Thoughts on Screendance

open access: yesThe International Journal of Screendance, 2019
With the rapid development of camera technologies and screening platforms over the past 10 years comes an expanded screendance field that opens itself up to new screen bodies, sites, and audiences.
Marisa Zanotti
doaj   +1 more source

Book Review: Screendance from Film to Festival: Celebration and Curatorial Practice by Cara Hagan (2022)

open access: yesThe International Journal of Screendance, 2022
No abstract available.
Mary Wycherley
doaj   +1 more source

Reflecting on Light Moves Festival of Screendance 2018

open access: yesThe International Journal of Screendance, 2019
A review of Light Moves Festival of Screendance 2018.
Katrina McPherson
doaj   +1 more source

Sense Of Meanings: A Deconstructive Lens On Time, Space And Opposites In The Film The Host (2016) Directed By Miranda Pennell

open access: yesThe International Journal of Screendance, 2022
Deconstruction has been used in theater practice and performance art since the 1960s -1970s as a strategy to guide viewers to observation of things and people in and around the performance practice, questioning meaning and its making. This paper proposes
Luisa Lazzaro
doaj   +1 more source

Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis

open access: yesThe International Journal of Screendance, 2016
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Roehampton University.
Arabella Stanger, Simon Ellis
doaj   +1 more source

A Provocation for Screendance as a Secular Space

open access: yesThe International Journal of Screendance, 2021
No abstract available.
openaire   +3 more sources

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