Results 31 to 40 of about 324 (96)
Employing the lens of screen dance theory and film phenomenology the aim of this essay is to explore the effect of including screened dance into live performance on the choreographic methods and on the experience of watching dance.
Dara Milovanovic
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Screendance is a hybrid art in which choreographic and film techniques are necessary for creating texts where the body dialogues with camera. Ghanaian dance film is best understood within the context of postmodern discourse.
Samuel Benagr, Terry B.K. Ofosu
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Audience as Community: Corporeal Knowledge and Empathetic Viewing
This essay focuses on community in the form of audiences, and in particular, screendance audiences. A specific focus is given to a collection of screendance experiences from viewing a selection of contemporary dance films. The term screendance is used in
Karen Wood
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Rippling Outwardly: Archives With Augmented And Mixed Reality
In this article I propose that augmented reality (AR) and mixed reality (MR) have the potential to expand the notion of a Screendance archive. This takes the form of a hybrid installation, where visitors are invited to download an AR app onto their ...
Jeannette Ginslov
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Digital Spaces, Analogue Thinking: Some Thoughts on Screendance
With the rapid development of camera technologies and screening platforms over the past 10 years comes an expanded screendance field that opens itself up to new screen bodies, sites, and audiences.
Marisa Zanotti
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No abstract available.
Mary Wycherley
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Reflecting on Light Moves Festival of Screendance 2018
A review of Light Moves Festival of Screendance 2018.
Katrina McPherson
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Deconstruction has been used in theater practice and performance art since the 1960s -1970s as a strategy to guide viewers to observation of things and people in and around the performance practice, questioning meaning and its making. This paper proposes
Luisa Lazzaro
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Unexamined assumptions: A Conversation between Arabella Stanger and Simon Ellis
A Conversation between Arabella Stanger and Simon Ellis regarding student screendance projects at Roehampton University.
Arabella Stanger, Simon Ellis
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A Provocation for Screendance as a Secular Space
No abstract available.
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