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Extending the Discourse of Screendance
2016Over the past twenty years, new choreographic forms have emerged that involve digital processing for their conception, fabrication, and presentation. These new practices are introducing modes of discourse that call into question the ways that choreography, the body, and performance are traditionally viewed and understood; the terms "digital dance" and "
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Corporeal Creations in Experimental Screendance
2016This chapter examines experimental screendances that disrupt the traditional notion of the body by constructing bizarre corporealities. The chapter analyzes films that display choreo-cinematic experimentations on body representation, such as those of Thierry De Mey, Laurent Goldring, Antonin De Bemels, Wim Vandekeybus, and Pierre Yves Clouin.
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The Oxford Handbook of Screendance Studies
2016The Oxford Handbook of Screendance Studies is the first publication to offer a scholarly overview of the histories, practices, and critical and theoretical foundations of the rapidly changing landscape of screendance. Drawing on their practices, technologies, theories, and philosophies, scholars from the fields of dance, performance,
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Toward an Aesthetical Approach to Screendance
2016Technological objects which materialize the permanent emergence of the new and define one of the manifestations of present-day screendance need to be revalued in terms of aesthetic approach. Considering as a starting point Immanuel Kant’s opposition to any standards of taste—that is to say to any criteria of beauty considered as an objective foundation
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