Results 61 to 70 of about 213 (150)
Revolução visual da arte de Eisenstein em Ivan, o Terrível.
A proposta do artigo é a leitura da mensagem cinematográfica e fotográfica do filme Ivan, o Terrível – Parte II do diretor Sergei Eisenstein. A metodologia de pesquisa tem como ponto de partida a análise do fotograma idealizado pelo crítico Roland ...
Atílio Avancini, Fernanda Riscali
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Eisenstein’s ‘Cinema of the Masses’
Biggart John, Bulgakowa Oksana
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Este artigo apresenta um estudo do conto “Ponto de vista”, do escritor Modesto Carone, e busca identificar elementos que apresentem, formal e tematicamente, a reincidência do elemento insólito.
Mario Marques
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Film as a Dream of the Modern Man: Interpretation of Susanne Langer’s “Note on the Film”
The paper concerns a “Note on the Film,” a short appendix to Feeling and Form by Susanne K. Langer. The interpretation interweaves the Note into a larger context of Langer’s philosophical work—primarily in terms of her understanding of the dream as a ...
Tereza Hadravova
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Poothapattu: Sobs of a Broken People, Fragmented Ethos, and the Lost Land
Keeping three radical ideas of Dr. B.R. Ambedkar, which have not been seriously dealt with by mainstream Indian/Kerala historiography, at the backdrop, namely, the Nagas and Dravidians are the same people, the untouchables were Buddhists, and India’s ...
Anilkumar Payyappilly Vijayan
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'A machine for recreating life': an introduction to reproduction on film. [PDF]
Olszynko-Gryn J, Ellis P.
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Blind prediction of homo- and hetero-protein complexes: The CASP13-CAPRI experiment. [PDF]
Lensink MF +104 more
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Coloured hearing, colour music, colour organs, and the search for perceptually meaningful correspondences between colour and sound. [PDF]
Spence C, Di Stefano N.
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