Results 51 to 60 of about 213 (150)
The Hypnotic Screen: The Early Soviet Experiment with Film Psychotherapy. [PDF]
Soc Hist Med, 2022 Toropova A.
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Montagem e Imagem como Paradigma
Revista Brasileira de Estudos da Presença, 2015 O pensar como montagem e imagem tornou-se um método revelador nos processos de estudos práticos e teóricos do artista e dos pesquisadores nos séculos XX e XXI. Este artigo procura articular três formas de pensar por montagem: nas obras de Bertolt Brecht,
César Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brasil)
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On Methodology and Method in Acmeist Psychology. [PDF]
Integr Psychol Behav Sci, 2021 Kölbl C.
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Revista Brasileira de Estudos da Presença, 2016 Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries.
Cesar Huapaya
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Revista Brasileira de Estudos da Presença, 2015 Thought as montage and image has become a revealing method in the practical and theoretical study processes of artists and researchers of the 20th and 21st centuries. This article aims to articulate three ways of thinking through montage in the works of
César Huapaya (Universidade Federal do Espírito Santo – UFES, Vitória/ES, Brazil)
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Kamchatka: Revista de Análisis CulturalEste ensayo aborda el encuentro entre el cineasta soviético Sergei Eisenstein y el pintor muralista mexicano David Alfaro Siqueiros, quienes se conocieron en México en 1931.
Itala Schmelz
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Avtobiografija, 2014 This paper aims to outline the common aspects of three late biographical writings by the minor avant-garde poet Ivan Aksenov (1884-1935). The texts are about artists, with whom the author was in close contact, i.e. the theatre actress Maria Babanova, the
Alessandro Farsetti
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Critica genética en perspectiva: dibujos y montajes de ¡Que viva Mexico!, de Sergei Eisenstein.
Manuscrítica, 2020 Este artículo pretende analizar, desde el punto de vista de la crítica genética, los documentos de proceso del film inacabado ¡Qué viva México!, el cual Sergei Eisenstein empezó a rodar tras una estancia en Hollywood en los años 30.
Caterina Cucinotta, Jes´ús Ramé
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Aisthesis, 2015 An excerpt from Sergei M. Eisenstein's memoirs describing a night visit to the museum of Chichén Itzá in Mexico is set forth as a real life example reflecting, both from a visual and theoretical perspective, the architecture of Aby Warburg's Bilderatlas ...
Daniela Sacco
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