Results 31 to 40 of about 213 (150)
Dismembered Frames: Dialectic Intermedia in Peter Greenaway’s The Pillow Book
Open Screens, 2020 Peter Greenaway’s The Pillow Book (1996) demonstrates the director’s recurring interest in images of dismemberment. These images represent an uncanny and grotesque literalisation of key metaphors.
Benedict Morrison
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From stage to brain: Montage as a new principle of scientific narrative
Sign Systems Studies, 2013 German Dadaists, Italian and Russian Futurists and Constructivists created in their experiments multi-medial orthopedic bodies as products of collage and montage.
Oksana Bulgakowa
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Knowledge as Film vs. Knowledge as Photo: Alternative Models in Early Soviet Thought
Cultural Science, 2021 While Lenin considered human knowledge to be similar to a mirror-like reflection of the object, Aleksandr Bogdanov emphasized the creative role of the subject in organizing the world.
Steila Daniela
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Imágenes colaterales. La influencia de la vanguardia soviética en la obra de Tina Modotti
Anales del Instituto de Investigaciones Estéticas, 2015 Alexandra Kollontai llegó a México en 1926, como embajadora de la Unión Soviética. Actuando como un puente logró introducir en el país algunas de las películas que, a causa del bloqueo, había sido imposible ver hasta entonces.
María de las Nieves Rodríguez y Méndez de Lozada
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A adaptação cinematográfica de Uma Tragédia Americana e Otelo em Match Point
Ilha do Desterro, 2017 O artigo retoma o histórico das adaptações cinematográficas do romance Uma Tragédia Americana (1925), de Theodore Dreiser, recuperando as discussões sobre a cena do afogamento. Os estudos de Sergei Eisenstein sobre o uso do monólogo interior no cinema e
Ana Paula Bianconcini Anjos
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Slapstick Classicism: Chaplin among the Sculptures
Critical Quarterly, Volume 67, Issue 4, Page 42-64, December 2025.
James Reath
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Four Basic Functions of Cinema [PDF]
ТелекинетThe article presents a fundamental analysis of the four basic functions of cinema as a special kind of art. The study covers the his- torical period from the inception of cinema to the present day, examining the evolution of the role of cinema in ...
Nadir Hadmetulla oglu Badalov
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In Between the Arts: Peter Greenaway and Sergei Eisenstein [PDF]
Quarterly Review of Film and Video, 2018 Eisenstein in Guanajuato by Peter Greenaway was released in 2015. The film is about the period that the Russian director - Sergei Eisenstein - spent in Mexico, and how these days changed Eisenstein's life, in Greenaway's vision. But most importantly, the film is a powerful, visual reinterpretation of the key concept developed by Eisenstein throughout ...
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