Results 21 to 30 of about 213 (150)
Montagem, realismo e antropofagia: Eisenstein e Bazin em Canibal Holocausto (1980)
Este artigo analisa o filme italiano Canibal Holocausto (Cannibal Holocaust), dirigido por Ruggero Deodato em 1980, comparando a linguagem utilizada pela obra com as teorias cinematográficas do russo Sergei Eisenstein e do francês André Bazin.
Felipe M. Guerra
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Electrodermal Response in Gaming
Steady improvements in technologies that measure human emotional response offer new possibilities for making computer games more immersive. This paper reviews the history of designs a particular branch of affective technologies that acquire electrodermal response readings from human subjects.
J. Christopher Westland, Habib Hamam
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The Atheist Director and the Orthodox Tsar Sergei Eisenstein’s Ivan the Terrible
Because Stalin’s cult of Ivan the Terrible failed to impose uniformity on representations of Ivan by historians and artists, Sergei Eisenstein could choose how to deal with religion in sixteenth-century Muscovy.
Charles J. Halperin
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Sergei Eisenstein, Richard Taylor, William Powell: Beyond the Stars
Review of Sergei Eisenstein's Beyond the Stars, Part 1: The Boy from Riga (2018) and Part 2: The True Paths of Discovery (2019), edited by Richard Taylor, translated by William Powell.
Helen Grace
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Sergei Eisenstein’s System Thinking: Influences and Inspirations
In 1932, Sergei Eisenstein started work on his key theoretical book, Grundproblem (later Method), which would present his theoretical system. In the very first notes, he defines a goal that seems to be similar to Aleksandr Bogdanov’s tektology: to find a
Bulgakowa Oksana
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O texto aborda questões acerca da técnica de montagem no cinema de Sergei Eisenstein, suas relações com o pensamento artístico das vanguardas do início do século XX e com o debate político-ideológico soviético.
Nanci de Freitas
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Review
Alexander Schwarz
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O seguinte artigo busca apresentar um recuo histórico com o intuito de compreender como a tradicional concepção de livro foi reformulada no período de vanguarda, especialmente a russa, a partir da incorporação da fotografia em sua estrutura.
Vitor Marcelino
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ABSTRACT This article analyses the ‘Gestus’ of turning in films by Harun Farocki and Christian Petzold, in light of a central claim of Andrew Webber's esteemed theoretical work on film: that film has the power to uncover unconscious processes through which subjects come into being and are made operational for political regimes.
Annie Ring
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Juxtaposition in Montage Movie [PDF]
Film editing is a vital part in th2Department of Computer Science and Engineering, Toyohashi University of Technology, Tempaku, Toyohashi 441-8580, Japane post production process of a film.
Azizah Sheila +3 more
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