Results 1 to 10 of about 213 (150)
Sergei Eisenstein in the Proletkult [PDF]
Cultural Science, 2021 This article examines some of the theoretical issues that exercised Sergei Eisenstein during the years 1920–1924 when he worked in the Russian Proletarian Cultural-Educational Organization (Proletkult), of which Aleksandr Bogdanov was one of the founders.
Biggart John, Bulgakowa Oksana
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Visions of Disrupted Chronologies: Sergei Eisenstein and Hedwig Fechheimer’s Cubist Egypt
Arts, 2022 By juxtaposing two ostensibly divergent characters, the Jewish art historian and Egyptologist Hedwig Fechheimer (1871–1942) and Soviet filmmaker and theorist Sergei Eisenstein (1898–1948), this paper investigates how both approaches folded time, creating
Leanne Darnbrough
exaly +3 more sources
Prediction of homoprotein and heteroprotein complexes by protein docking and template-based modeling: A CASP-CAPRI experiment. [PDF]
Proteins, 2016 ABSTRACT We present the results for CAPRI Round 30, the first joint CASP‐CAPRI experiment, which brought together experts from the protein structure prediction and protein–protein docking communities. The Round comprised 25 targets from amongst those submitted for the CASP11 prediction experiment of 2014.
Lensink MF +102 more
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Peter II and Sergei Eisenstein are to blame
Проект Байкал, 2016 The 23rd of October 2016 is Alexander Gerbertovich Rappaport’s 75th anniversary. He has made a great contribution to formation of a new paradigm of architecture.
Elena Bagina
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Catedral Tomada: Revista de Crítica Literaria Latinoamericana, 2021 Victoria Ocampo meets Sergei Eisenstein in New York, in 1930. He is on his way to Hollywood where he plans to make a film and she is there to meet Waldo Frank and discuss the project of the journal Sur.
David Oubiña
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The Many Nationalities of Tamara Khanum: Friendship of the Peoples at Home, Abroad, and Within
The Russian Review, Volume 82, Issue 3, Page 433-452, July 2023., 2023 Abstract Inspired by scholarship on empire and historical biography, this article examines the life of Soviet entertainer Tamara Khanum (1906–91) and her formation as a socialist intermediary. First, it considers how an ethnic Armenian born in the Uzbek SSR came to represent an image of liberated Eastern femininity to domestic audiences.
Charles D. Shaw
wiley +1 more source
Ethnography, Incongruity, History: Soviet Poetic Cinema
The Russian Review, Volume 82, Issue 1, Page 68-90, January 2023., 2023 Abstract This essay examines the entangling of the poetic and the ethnographic in the art cinema of the 1960s as an indicator of a broader collision of epistemological/discursive regimes in postwar Soviet cinema—and ultimately, a clash between two fundamentally opposed approaches to the discursive production of history.
Elizabeth A. Papazian
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On the realist aesthetics of digital de‐aging in contemporary Hollywood cinema
Orbis Litterarum, Volume 76, Issue 4, Page 214-225, August 2021., 2021 This essay examines digital de‐aging—a process of making actors appear younger on‐screen than they actually are that has taken a firm hold in contemporary Hollywood cinema—as a controversial filmmaking tool that raises fundamental questions about cinematic realism in the digital age.
Kathleen Loock
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Ignatius Loyola and Konstantin Stanislavsky in the interpretation of Sergey Eisenstein: from mystical ecstasy to editing [PDF]
Вестник Православного Свято-Тихоновского гуманитарного университета: Серия I. Богословие, философия, 2022 The article examines the point of Soviet art's 1920-1930 influence on secular processes in society. The model of the psychology of art proposed by L.
Tinatin Do Egito
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