Results 51 to 60 of about 4,177 (124)
En la España del siglo XVI, las narrativas cosmogónico-religiosas se mantenían, físicamente, usando el sistema alfabético romano. Entre los nahuas y mixtecas, estas historias se mantenían usando un sistema pictográfico. Este artículo discutirá el tema de
Cecilia Brain
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Scènes d’affliction, ou l’écodramaturgie via negativa
Au lieu de chercher à réenchanter nos relations à la nature, à nous reconnecter aux puissances du vivant, un certain nombre d’artistes font de la scène théâtrale un endroit où s’incarnent et s’expriment les sentiments d’affliction, de perte et de deuil ...
Julie Sermon
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The relationship between the addresser and the addressee in the English sermon
This paper deals with the oral English sermon texts. The research of sermons allow us to emerge correlation between addressee and addresser and found out the definite features of addressee and addresser .
І. В. Рудик
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ABSTRACT This article examines Islamic feminism as a culturally grounded framework for women's empowerment and peacebuilding in post‐conflict Bangsamoro, Philippines. Global empowerment frameworks tend to prioritize individual autonomy and universal gender equality but often overlook the sociocultural and religious contexts shaping women's lived ...
Haironesah Domado
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Abstract Due to their prolonged and multicultural nature, councils functioned historically as hubs for the exchange of ideas, discourse, diplomacy and rhetoric, reflecting broader cultural trends. In the Middle Ages, no international forums were comparable to ecumenical councils, where diverse and influential groups from various regions convened to ...
Federico Tavelli
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Communication in the Face of Death: the Meaning of Funeral Sermons in the Old Polish Epoch
This article is an analysis of four funeral sermons. Their authors are the Franciscans of Primitive Observance: Józef Drohojowski (the sermon for Stanisław Skarbek Ankwicz’s funeral); Karol Kwinta (the sermon for Stanisław Dłużewski’s funeral); Benedykt ...
Sylwia Zydek
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Tres Conceptos que posibilitan una demarcación interpretativa del sermón LII de Maestro Eckardt
El presente trabajo apuntará a establecer tres conceptos interpretativos para demarcar lo planteado en el sermón LII por Maestro Eckardt. En términos metodológicos, se intentará precisar algunas características de los conceptos de iluminación, puri ...
Alejandra Inés Pinto Soffia
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Khotbah yang “Diurapi” oleh Roh Kudus
Pada satu sisi, setiap pengkhotbah yang rindu kuasa Roh Kudus nyata melalui khotbahnya akan bergumul untuk melihat “urapan” Roh Kudus itu. Di sisi lain, ada juga pengkhotbah-pengkhotbah yang malah takut untuk mengalami kuasa Roh Kudus dalam khotbah ...
Amos Winarto Oei
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‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London
ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
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