Dramatic Form and the Ethical Dimension of the Text the feast by Simona Semenič [PDF]
Amfiteater, 2022 In this paper, we will focus on one of the most active and successful artists in the contemporary Slovenian theatre, the dramatist Simona Semenič, and one of her most theoretically intriguing texts, the feast or the story of a savory corpse or how roman ...
Lara Jerkovič
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Sodobna dramatika in vprašanje dediščine neoavantgarde šestdesetih in sedemdesetih let [PDF]
Amfiteater, 2023 Sodobna dramatika je do neke mere dedinja neoavantgarde s konca šestdesetih in iz sedemdesetih let prejšnjega stoletja. Takrat se je namreč zgodil t. i. performativni obrat, ki je gledališče potegnil stran od reprezentacije k prezentaciji. Razvoj, ki je
Gašper Troha
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Seksualno osvobojena ženska: seksualnost in seksualne kulture v dveh dramah Simone Semenič [PDF]
Amfiteater, 2022 Prispevek izhaja iz teorije o seksualnosti kot družbeni strukturi, ki jo med drugim opredeljujejo seksualne kulture s svojimi značilnimi diskurzi in imperativi.
Pavel Ocepek
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Dekonstrukcije nasprotja med reprezentacijo in prezentacijo od neoavantgarde do pomilenija: od Pupilije, Jesiha in Jovanovića do Zupančiča, Živadinova, Frljića, Semenič in Divjaka [PDF]
Amfiteater, 2023 Razprava se ukvarja z izbranimi primeri dekonstrukcij nasprotja med reprezentacijo in prezentacijo, značilnimi za postmimetično, od neoavantgarde do postmilenija.
Tomaž Toporišič
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Dramska forma in etična razsežnost besedila gostija Simone Semenič [PDF]
Amfiteater, 2022 V prispevku se bomo posvetili eni najaktivnejših in najuspešnejših ustvarjalk v sodobnem slovenskem gledališkem prostoru, dramatičarki Simoni Semenič, in enemu njenih teoretično in vsebinsko najzanimivejših besedil zgodba o nekem slastnem truplu ali ...
Lara Jerkovič
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Performing Literature and Staged Readings [PDF]
Amfiteater, 2023 In 2005, on the initiative of playwright Simona Semenič and in close collaboration with performing arts theorist Rok Vevar, a group of playwrights and dramaturgs founded PreGlej within the Glej Theatre in Ljubljana, Slovenia.
Barbara Orel
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Deconstructions of the Opposition Between Representation and Presentation from the Neo-avant-garde to the Post-millennium: From Pupilija, Jesih and Jovanović to Zupančič, Živadinov, Frljić, Semenič and Divjak [PDF]
Amfiteater, 2023 The essay focuses on selected examples of the deconstruction of the opposition between representation and presentation, characteristic of post-mimetic art from the neo-avantgarde to the post-millennium.
Tomaž Toporišič
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can you hear me? by Simona Semenič and the question of no-longer-dramatic writing [PDF]
Amfiteater, 2021 In the article, the author analyses three plays by Simona Semenič that were published in the book can you hear me? (2017). At first sight, the three pieces appear to be written in Semenič’s now-familiar writing style with no punctuation marks or upper ...
Gašper Troha
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Me slišiš? Simone Semenič in vprašanje ne več dramske pisave [PDF]
Amfiteater, 2021 Razprava se posveča trem dramam Simone Semenič, ki so izšle v knjigi z naslovom Me slišiš? (2017). Na prvi pogled gre za znano avtoričino pisavo brez ločil in velikih začetnic ter brez očitnega deljenja na didaskalije in dialog, vendar se v vsebinskem ...
Gašper Troha
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Contemporary Drama and the Question of the Neo-avant-garde Legacy of the 1960s and 1970s [PDF]
Amfiteater, 2023 To some extent, contemporary drama is the heir of the neo-avant-garde of the late 1960s and 1970s. This time was that of the so-called performative turn, which pulled theatre away from representation and towards presentation.
Gašper Troha
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