Results 171 to 180 of about 5,707 (220)
The physical modelling of a sitar
, 2010 non-peer-reviewed Three files accompany the PDF of this thesis - Sitar.mid; Main.maxpat; poly.sitar.maxpat. Sitar.mid is available here. Main.maxpat and poly.sitar.maxpat can be made available to you upon request.
David Ronan (12581578)
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SITAR e archeologia preventiva
, 2011 Il contributo presenta l'esperienza dello scrivente nel gruppo di lavoro che ha seguito lo sviluppo del SITAR. In particolare mette in evidenza come la gestione del dato non sia un processo separato dall'acquisizione, analisi, elaborazione e comunicazione del record archeologico.
CAMPANA, STEFANO
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Communications of the ACM, 1977
SITAR, a low-cost interactive text handling and text analysis system for nontechnical users, is in many ways comparable to interactive bibliographical search and retrieval systems, but has several additional features. It is implemented on a PDP/11 time-sharing computer invoked by a CRT with microprogrammed editing functions.
Ben Ross Schneider Jr., Reid M. Watts
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SITAR, a low-cost interactive text handling and text analysis system for nontechnical users, is in many ways comparable to interactive bibliographical search and retrieval systems, but has several additional features. It is implemented on a PDP/11 time-sharing computer invoked by a CRT with microprogrammed editing functions.
Ben Ross Schneider Jr., Reid M. Watts
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The Journal of the Acoustical Society of America, 1982
The main strings of a sitar are tuned to pitches corresponding closely to F3♯, C2♯, G2♯, G3♯, G3♯, C4♯, and C5♯ (i.e., in 4ths, 5ths, and octaves). Playing is predominantly on the F3♯ string, the tonic (sa) being at the 7th fret (C4♯). There are also 11 sympathetic strings tuned to the notes of the raga. The measured and calculated inharmonicity is far
A. H. Benade, W. G. Messenger
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The main strings of a sitar are tuned to pitches corresponding closely to F3♯, C2♯, G2♯, G3♯, G3♯, C4♯, and C5♯ (i.e., in 4ths, 5ths, and octaves). Playing is predominantly on the F3♯ string, the tonic (sa) being at the 7th fret (C4♯). There are also 11 sympathetic strings tuned to the notes of the raga. The measured and calculated inharmonicity is far
A. H. Benade, W. G. Messenger
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Sitar Technique in Nibaddh Forms
Ethnomusicology, 1989The book focuses on Sitar technique and shows how that technique comes into play during the improvisatory music making endeavours of master Sitarists. A series of systematic descriptions and analyses reveals how instrumental technique as that of Sitar acts as a generative structure at the broad level and provides a corpus of factors of variation at the
Scott L. Marcus, Stephen M. Slawek
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Security analysis of SITAR intrusion tolerance system
Proceedings of the 2003 ACM workshop on Survivable and self-regenerative systems: in association with 10th ACM Conference on Computer and Communications Security, 2003Security is an important QoS attribute for characterizing intrusion tolerant computing systems. Frequently however, the security of computing systems is assessed in a qualitative manner based on the presence and absence of certain functional characteristics and security mechanisms.
Dazhi Wang +2 more
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IEEE Transactions on Software Engineering, 2016
System testing of a GUI-based application requires that test cases, consisting of sequences of user actions/events, be executed and the software's output be verified. To enable automated re-testing, such test cases are increasingly being coded as low-level test scripts, to be replayed automatically using test harnesses. Whenever the GUI changes—widgets
Zebao Gao +3 more
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System testing of a GUI-based application requires that test cases, consisting of sequences of user actions/events, be executed and the software's output be verified. To enable automated re-testing, such test cases are increasingly being coded as low-level test scripts, to be replayed automatically using test harnesses. Whenever the GUI changes—widgets
Zebao Gao +3 more
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ANALYSIS OF THE SIGNAL COMPLEXITY IN SITAR PERFORMANCES
Fractals, 2010The sitar is perhaps the most well known of the Indian plucked string musical instruments. It has a varying number of strings but 16–20 is usual. When played by an expert, the sitar produces a melodious sound effect. The mode of attachment of strings and or the interaction of the large number of strings, some of them being playing strings, some drone ...
R. SENGUPTA +4 more
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