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Folders of secrets: the SITAR Project.
2015This resource is a single blog post created as part of the Day of Archaeology initiative. The Day of Archaeology project aimed to provide a window into the daily lives of archaeologists from all over the world. The project asked people working, studying or volunteering in the archaeological world to participate in a 'Day of Archaeology' each year by ...
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Sitars and bossas: World Music influences
Popular Music, 1998Popular music is sometimes discussed from a rather ethnocentric viewpoint, lacking awareness of, or not acknowledging, influences assimilated from non-Western musics, while in the field of ethnomusicology, issues such as the preservation of traditional styles (see Baumann 1992, pp.
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The SITAR Project: background, goals, project structure
2006The SITAR project: background, goals, project ...
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"AMBER LEAVES" FOR SOLO SITAR AND ELECTRONICS
2012Amber Leaves is a composition for solo sitar and live electronics. The work constitutes a fusion between Western musical composition and Indian classical music, which I have been studying simultaneously for the past seven years. The sitar's music draws heavily upon its traditional performance technique, while also introducing a number of extended ...
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Extending and abstracting sitar acoustics in performance.
The Journal of the Acoustical Society of America, 2010There is a very close relationship between the acoustic design of instruments of the Hindustani classical music tradition and the structure of raga. The sitar and other related string instruments have sympathetic strings which are tuned to prominent notes of a raga.
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