Results 11 to 20 of about 22,974 (188)
Organic Representation as a Critical Media Approach to Leadership Studies in Popular Culture. [PDF]
New Dir Stud LeadershABSTRACT This article applies the critical media concept of organic representation to leadership studies as an analytic of how various creators in popular culture today are not just writing inclusive storytelling but, more notably, modeling new modes of production and self‐presentation that are actively challenging hegemonic industry practices and ...
Sarkissian R.
europepmc +2 more sources
Losers, food, and sex: clerical masculinity in the BBC sitcom Rev [PDF]
, 2016 Clerical masculinities, much like their lay/secular counterparts, often appear unchanging because they are the products of naturalization processes. Clerical masculinities, however, are far from being stable but the live and breathe the dynamics of both ...
Ornella, Alexander
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Between, 2016 Come genere TV la sitcom - o situation comedy - appartiene alla serie episodica classica basata su puntata autonome, un gurppo di personaggi limitato, e ambientazioni fisse (la casa, il luogo di lavoro), e una "formula" narrativa definita dalla propria ...
Cinzia Scarpino
doaj +1 more source
Cringe Histories: Harold Pinter and the Steptoes
Humanities, 2021 This article argues that cringe humour in British television had begun at least by the early 1960s and derived from a theatre history in which conventions of Naturalism were modified by emergent British writers working with European avant-garde motifs ...
Jonathan Bignell
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Death and Nationalism's Moral Imperative: The Battle for Britain, Industry and the 'Left Behind'. [PDF]
Br J SociolABSTRACT This paper is concerned with how nationalism is convened and condensed in this moment by exploring the function of loss and death and their centrality to nationalism's articulation. The discussion attempts to make sense of how death possesses an ideological currency that wields an alluring quality and equips nationalism with a moral imperative.
Harries B.
europepmc +2 more sources
La definición de una narrativa propia. La comedia televisiva española (1990-2018)
Cuadernos.info, 2020 A principios de la década de los noventa, la ficción televisiva española inició una evolución sin precedentes. El objetivo de esta investigación es examinar, mediante un análisis de contenido, los rasgos definitorios del género que lideró dicha ...
Beatriz Gómez Morales
doaj +3 more sources
Clasicismo e innovación en la producción nacional de comedia televisiva en España (2000-2010)
Comunicación, 2022 Nuevos programas humorísticos en Estados Unidos y el Reino Unido están revolucionando el género de la comedia televisiva actualmente. Algunas de estas tendencias anglosajonas están llegando a países europeos como España.
Patricia Diego +1 more
doaj +1 more source
Queer resistances in the adult animated sitcom [PDF]
, 2011 This article studies the representation of queer characters and themes in the contemporary adult animated sitcom. We argue that even though popular culture is often assumed to reiterate and consolidate the discourse of heteronormativity, adult animated ...
Dhaenens, Frederik, Van Bauwel, Sofie
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Dupla personalidade: a estrutura narrativa de Broad City na internet e na televisão
Rizoma, 2018 A ficção remete a certa oposição à realidade, em contrapartida, prescinde aspectos de verossimilhança para se fazer reconhecível. O quanto de distinção e semelhança as diferentes estruturas narrativas evocam é a questão central neste trabalho, que ...
Patrícia Azambuja, Vanessa Cutrim
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Doce de série: as aventuras de dona Picucha
Significação: Revista de Cultura Audiovisual, 2014 O trabalho propõe-se a analisar as especificidades do formato adotado pelo seriado Doce de mãe, em comparação com as normas que presidem o subgênero sitcom, em relação ao tema central e temáticas secundárias privilegiadas, ao seu processo de ...
Elizabeth Bastos Duarte
doaj +1 more source