Results 91 to 100 of about 111,187 (210)
Композиционные модели в необарочных циклах первой четверти XX века
Вестник музыкальной науки, 2018 Статья посвящена изучению в необарочных циклах западноевропейской музыки функций и структуры простых жанров. С конца 1910-х - начала 1920-х гг. вновь приобретает актуальность сложившаяся в эпоху Барокко «надвременная » драматургическая модель: «мир в ...
Гончаренко, Светлана Сергеевна
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HwaYoung An: 2016 Richmond Competition Winner, October 27, 2016 [PDF]
, 2016 This is the concert program of the HwaYoung An: 2016 Richmond Competition Winner performance on Thursday, October 27, 2016 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Piano Sonata No. 31 in A-flat major, Op.
School of Music, Boston University
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Київське музикознавствоRelevance of the study. The present paper explores the interaction of chromatic and diatonic forces within the framework of sonata allegro form, focusing on the first movement of Franz Schubert’s Octet in F Major, D.803, Op. posth. 166 (1824).
IRENE OKNER, OLHA VASYLENKO
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String Department Student Concert, November 12, 1990 [PDF]
, 1990 This is the concert program of the String Department Student Concert performance on Monday, November 12, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata No.
School of Music, Boston University
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The Musical Style of Elliott Carter: The analysis of the Piano Sonata (1945-46)
Accelerando: BJMD, 2020 The purpose of this paper focuses on American composer Elliott Carter and his Piano Sonata (1945-46). Elliot Carter’s Piano Sonata is a representative example of his distinctive modernist style. After his early works written largely in Neoclassical idiom,
Yingying Wang
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REFLECTION OF THE CLASSICAL TRADITIONS IN SONATA MODERNE FOR ACCORDION OP.2 BY CARMELO PINO [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018 This article reviews the Sonata Moderne for accordion op.2 signed by the American composer Carmelo Pino that is considered the first creation of this kind in the USA.
Calmîș Dumitru
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Faculty recital: Martin Amlin, pianist and composer, September 12, 2003 [PDF]
, 2003 This is the concert program of Martin Amlin's Faculty Recital on Friday, September 12, 2003 at 8:00 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Piano Sonata No. 6, Piano Sonata No.
School of Music, Boston University
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Anne and Aaron Richmond Competition for Pianists, April 2, 1998 [PDF]
, 1998 This is the concert program of the Anne and Aaron Richmond Competition for Pianists on Thursday, April 2, 1998 at 7:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Impromptu No. 3 in A-flat major, Op.
School of Music, Boston University
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Faculty concert: "Dreams, Delirium and Transcendence In the Music of our Time," January 30, 1998 [PDF]
, 1998 This is the concert program of the Faculty Concert: "Dreams, Delirium and Transcendence In the Music of our Time" performance on Friday, January 30, 1998 at 8:00 p.m., at the Tsai Performanc Center, 685 Commonwealth Avenue.
School of Music, Boston University
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String Department Student Concert, February 24, 1992 [PDF]
, 1991 This is the concert program of the String Department Student Concert on Monday, February 24, 1992 at 8:30 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were I. Allegro con brio from Sonata in D major for Violin and Piano, Op. 12 No.
School of Music, Boston University
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