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No presente trabalho, investigo as relações intertextuais possíveis entre a Sonata nº 10 para piano (das Rosas) do compositor brasileiro Almeida Prado e a Sonata op. 109 para piano de Ludwig van Beethoven. Inicio o texto com algumas considerações sobre a
Ernesto Hartmann
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Domenico Scarlatti Festival, February 19-21, 1998 [PDF]
This is the concert program of the Domenico Scarlatti Festival on Thursday, February 19 through Saturday, February 21, 1998 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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THE TREATMENT OF THE CYCLE AND SONATA FORM IN THE STRING QUARTET OP. 83 BY E. ELGAR [PDF]
The only one in this genre in the creation of the English composer E. Elgar, the E-minor String Quartet op.83 contains three parts, revealing a less traditional treatment of the sonata cycle used in the quartet genre. The fitting in the patterns of the
Melnic Victoria, Coşciug Svetlana
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Christoffel L, Römer T, Schiermeier S. Med Devices (Auckl). 2021;14:77— 84. Page 83, left column, lines 7-9, it is stated that “These initial results corroborate those from previous clinical trials, as well as over 600 ...
Christoffel L, Römer T, Schiermeier S
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The Complete Beethoven Sonatas for Piano and Violoncello, January 18 and 20, 1988 [PDF]
This is the concert program of the Complete Beethoven Sonatas for Piano and Violoncello performance on Wednesday and Friday, January 18 and 20, 1989 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts ...
School of Music, Boston University
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An efficient, metal‐free electrochemical three‐component reaction of cinnamic acids, SO2, and amines to access (E)‐β‐styryl sulfonamides is reported. Utilizing graphite electrodes and SO2 stock solutions, this decarboxylative protocol proceeds under mild conditions with high regio‐ and stereoselectivity.
Po‐Chung Chien +2 more
wiley +1 more source
Este artigo apresenta apontamentos, sobre uma possível interpretação da forma sonata clássica adaptada para um contexto atonal, no primeiro movimento do Quarteto de cordas n. 3 de Heitor Villa-Lobos.
Regina Rocha
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Faculty Recital: Art of the Sonata V, Trumpet and Piano Music of the 1960s and 70s, September 24, 2013 [PDF]
This is the concert program of the Faculty Recital: Art of the Sonata V, Trumpet and Piano Music of the 1960s and 70s performance on Tuesday, September 24, 2013 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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The landscape of dementia research, diagnosis, treatment, and care in Latin America
Abstract Latin America is undergoing rapid population aging alongside a rising burden of dementia. While the region holds substantial potential for dementia risk reduction, challenges remain, such as delayed diagnoses, limited access to specialized care and biomarker testing, persistent stigma, and deep‐rooted structural inequities.
Claudia K. Suemoto +41 more
wiley +1 more source
EOCLASSICAL TRENDS OF THE SONATA IN C FOR SOLO ACCORDION BY ERNST-LOTHAR VON KNORR [PDF]
This article presents an analysis of the Sonata in C for solo accordion written by the German composer Ernst-Lothar von Knorr and it is dedicated to the accordion producer Ernst Hohner. This musical composition was written in 1949.
CALMÎȘ DUMITRU
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