Results 31 to 40 of about 238 (150)

An Exploration of the Jazz Elements in the Music of Maurice Ravel [PDF]

E-Journal of Humanities, Arts and Social Sciences
This study explored the genre and stylistic integration of jazz and classical music through the works of Maurice Ravel, focusing on L’enfant et les sortilèges, the Sonata for Violin and Piano, and the Concerto in G major.
Stacy Jarvis
doaj   +1 more source

Johan Svendsen and Two‐Dimensional Sonata Form

Music Analysis, Volume 45, Issue 2, Page 177-212, July 2026.
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley   +1 more source

Musical Mereology

Pacific Philosophical Quarterly, Volume 107, Issue 2, Page 58-73, June 2026.
ABSTRACT I develop an axiomatic system of mereology that accounts for the ways in which musical works can be said to have parts. I distinguish two fundamental modes of composition that musical works exhibit: successive composition, whereby sound events are concatenated in time, and simultaneous composition, whereby sound events occur at the same time ...
Alejandro G. Di Rienzo
wiley   +1 more source

The Off‐Tonic Recapitulation in Context: a Study in Fuzziness

Music Analysis, Volume 44, Issue 3, Page 372-392, October 2025.
ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
wiley   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Onur Özmen’s Op. 41 Violin–Piano Sonatina and Its Level

Konservatoryum
Teaching the technical behaviors in violin education is delivered through various exercises, etudes and works. Throughout the history of the violin, composers, such as P. Billot and R. Kreutzer, J.P., and performers, such as Rode, H. and Sitt, A. Seybold
Sonat Coşkuner
doaj   +1 more source

ADAPTATION AND TRANSFORMATION OF MEXICAN VERNACULAR ELEMENTS IN ART MUSIC: A CASE STUDY OF MANUEL PONCE’S SONATA FOR VIOLIN AND PIANO

Studia Universitatis Babeş-Bolyai. Musica
The adaptation of folk traditions into composed art music has played a crucial role in shaping national musical identities. This article explores the ways in which Mexican vernacular elements are integrated, transformed, and recontextualized within ...
Maria-Magdalena SUCIU, Botond SZŐCS, Stela DRĂGULIN   +2 more
doaj   +1 more source

Schenker against the Pack: Controversial Hypermetres in Bach's Prelude No. 1 in C major, The Well‐Tempered Clavier Book I

Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.
ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
wiley   +1 more source

THE SONATA FOR VIOLIN AND PIANO BY VIOREL MUNTEANU IN THE INTERPRETATIVE CONCEPTION OF NATIVE MUSICIANS [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016
Signed in 1974, the Sonata for violin and piano by Viorel Munteanu continues the Enescu tradition and distinguishes itself by an original musical language, that alongside of the form sobriety, places this opus among the most representative examples of ...
STOLEARCIUC XENIA
doaj  

Reconsidering ‘Classical’ versus ‘Recombinant’ Teleologies: a Case Study of Philip Glass's Piano Etude No. 6

Music Analysis, Volume 44, Issue 1, Page 73-99, March 2025.
ABSTRACT In contrast to the teleological nature of Western art music, minimalism has long been purported to be ‘anti‐teleological’ (Meyer 1963) – that is, the latter lacks the goal‐directedness that Wim Mertens (1983) views as a defining feature of the former.
Hunter Hoyle
wiley   +1 more source