Results 41 to 50 of about 238 (150)
Некоторые аспекты творческого содружества И. Брамса и Й. Иоахима
В статье рассматривается многоплановое влияние на композиторскую деятельность великого И. Брамса его художественно-профессиональные контакты с выдающимся скрипачом Й. Иоахимом.
Гвоздев, Алексей Владимирович
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Jean‐Luc Nancy's Conception of Listening
Abstract In this article Sophie Haroutunian‐Gordon and Megan Jane Laverty discuss Jean‐Luc Nancy's conception of listening as presented in his seminal work, À l'écoute. The authors argue that Nancy uses the term “listening” to refer to the experience of coming to an idea of sound(s) initially encountered as puzzling.
Sophie Haroutunian‐Gordon +1 more
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A Multilevel Analysis of Fazil Say’s Sonata for Violin and Piano Op.7
This article introduces Fazıl Say’s Sonata for Violin and Piano op. 7, composed in 1997, shortly after his international success. Despite being an early work, it exhibits the architectural complexity characteristic of Say’s style, blending his Turkish ...
Botond SZŐCS +2 more
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STYLISTIC INFLUENCES IN THE SONATA FOR VIOLIN AND PIANO IN SI MINOR BY STEFAN NEAGA [PDF]
Ștefan Neaga (1900-1951), descendant of a family of folk musicians, became a true professional after graduating from the Bucharest Royal Academy of Music and Dramatic Art (1927 - piano, 1933 – composition), and improving his abilities at l`Ecole Normalle
FLOREA AUGUSTINA
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ABSTRACT This article examines the elaborate compositional processes at work in the opening movement of Mendelssohn's Quartet in D major, Op. 44 No. 1 (1838) in the service of advancing and further refining the application of contemporary Formenlehre to nineteenth‐century music.
Benedict Taylor
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RONDO FOR VIOLIN AND PIANO BY ALEXANDR MULEAR: HISTORICAL AND COMPOSITIONAL ASPECTS [PDF]
The article reveals historical information regarding the importance of the Rondo for violin and piano in the compositional work of A. Mulear. The composer complements the rondo form with certain elements of the sonata form, associating them with the ...
TROCINEL, DANIELA
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This is a study on the microtonal aspects of György Ligeti’s Hamburgisches Konzert für Horn und Kammerorchester mit 4 obligaten Naturhörnern, with special reference to its relationship with the American composer Harry Partch.
Manfred STAHNKE
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Sonata in B Minor. For Piano and Violin [PDF]
n ...
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Cortical activity during naturalistic music listening reflects short-range predictions based on long-term experience. [PDF]
Kern P +3 more
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