Results 41 to 50 of about 238 (150)

Некоторые аспекты творческого содружества И. Брамса и Й. Иоахима

open access: yesВестник музыкальной науки, 2016
В статье рассматривается многоплановое влияние на композиторскую деятельность великого И. Брамса его художественно-профессиональные контакты с выдающимся скрипачом Й. Иоахимом.
Гвоздев, Алексей Владимирович
doaj   +1 more source

Jean‐Luc Nancy's Conception of Listening

open access: yesEducational Theory, Volume 74, Issue 6, Page 915-941, December 2024.
Abstract In this article Sophie Haroutunian‐Gordon and Megan Jane Laverty discuss Jean‐Luc Nancy's conception of listening as presented in his seminal work, À l'écoute. The authors argue that Nancy uses the term “listening” to refer to the experience of coming to an idea of sound(s) initially encountered as puzzling.
Sophie Haroutunian‐Gordon   +1 more
wiley   +1 more source

A Multilevel Analysis of Fazil Say’s Sonata for Violin and Piano Op.7

open access: yesStudia Universitatis Babeş-Bolyai. Musica
This article introduces Fazıl Say’s Sonata for Violin and Piano op. 7, composed in 1997, shortly after his international success. Despite being an early work, it exhibits the architectural complexity characteristic of Say’s style, blending his Turkish ...
Botond SZŐCS   +2 more
doaj   +1 more source

STYLISTIC INFLUENCES IN THE SONATA FOR VIOLIN AND PIANO IN SI MINOR BY STEFAN NEAGA [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018
Ștefan Neaga (1900-1951), descendant of a family of folk musicians, became a true professional after graduating from the Bucharest Royal Academy of Music and Dramatic Art (1927 - piano, 1933 – composition), and improving his abilities at l`Ecole Normalle
FLOREA AUGUSTINA
doaj  

The Mendelssohn of the Eighteenth Century: Tonal Growth, Functional Fluidity and Formal Complication in the First Movement of the D Major Quartet, Op. 44 No. 1

open access: yesMusic Analysis, Volume 43, Issue 1, Page 3-35, March 2024.
ABSTRACT This article examines the elaborate compositional processes at work in the opening movement of Mendelssohn's Quartet in D major, Op. 44 No. 1 (1838) in the service of advancing and further refining the application of contemporary Formenlehre to nineteenth‐century music.
Benedict Taylor
wiley   +1 more source

RONDO FOR VIOLIN AND PIANO BY ALEXANDR MULEAR: HISTORICAL AND COMPOSITIONAL ASPECTS [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică
The article reveals historical information regarding the importance of the Rondo for violin and piano in the compositional work of A. Mulear. The composer complements the rondo form with certain elements of the sonata form, associating them with the ...
TROCINEL, DANIELA
doaj  

György Ligeti: hamburgisches Konzert für Horn und Kammerorchester mit 4 obligaten Naturhörnern. Aspects of a Crystalline Microtonality

open access: yesStudia Universitatis Babeş-Bolyai. Musica
This is a study on the microtonal aspects of György Ligeti’s Hamburgisches Konzert für Horn und Kammerorchester mit 4 obligaten Naturhörnern, with special reference to its relationship with the American composer Harry Partch.
Manfred STAHNKE
doaj   +1 more source

Sonata in B Minor. For Piano and Violin [PDF]

open access: yesThe Musical Times and Singing Class Circular, 1885
n ...
openaire   +1 more source

EHA2024 Hybrid Congress

open access: yes
HemaSphere, Volume 8, Issue S1, June 2024.
wiley   +1 more source

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