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The Mismatch Negativity: An Indicator of Perception of Regularities in Music
Behavioural Neurology, Volume 2015, Issue 1, 2015., 2015 This paper reviews music research using Mismatch Negativity (MMN). MMN is a deviation‐specific component of auditory event‐related potential (EPR), which detects a deviation between a sound and an internal representation (e.g., memory trace). Recent studies have expanded the notion and the paradigms of MMN to higher‐order music processing such as those
Xide Yu +3 more
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Onur Özmen’s Op. 41 Violin–Piano Sonatina and Its Level
KonservatoryumTeaching the technical behaviors in violin education is delivered through various exercises, etudes and works. Throughout the history of the violin, composers, such as P. Billot and R. Kreutzer, J.P., and performers, such as Rode, H. and Sitt, A. Seybold
Sonat Coşkuner
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String Department Student Concert, November 12, 1990 [PDF]
, 1990 This is the concert program of the String Department Student Concert performance on Monday, November 12, 1990 at 8:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts. Works performed were Sonata No.
School of Music, Boston University
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Studia Universitatis Babeş-Bolyai. MusicaThe adaptation of folk traditions into composed art music has played a crucial role in shaping national musical identities. This article explores the ways in which Mexican vernacular elements are integrated, transformed, and recontextualized within ...
Maria-Magdalena SUCIU +2 more
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Roman Totenberg, violin, Shizue Sano, piano, March 16, 1993 [PDF]
, 1993 This is the concert program of the Roman Totenberg, violin, Shizue Sano, piano performance on Tuesday, March 16, 1993 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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THE SONATA FOR VIOLIN AND PIANO BY VIOREL MUNTEANU IN THE INTERPRETATIVE CONCEPTION OF NATIVE MUSICIANS [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2016 Signed in 1974, the Sonata for violin and piano by Viorel Munteanu continues the Enescu tradition and distinguishes itself by an original musical language, that alongside of the form sobriety, places this opus among the most representative examples of ...
STOLEARCIUC XENIA
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Collaborative Piano Department Master Class, April 18, 1995 [PDF]
, 1995 This is the concert program of the Collaborative Piano Department Master Class performance on Tuesday, April 18, 1995 at 10:00 a.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Jean‐Luc Nancy's Conception of Listening
Educational Theory, Volume 74, Issue 6, Page 915-941, December 2024.Abstract In this article Sophie Haroutunian‐Gordon and Megan Jane Laverty discuss Jean‐Luc Nancy's conception of listening as presented in his seminal work, À l'écoute. The authors argue that Nancy uses the term “listening” to refer to the experience of coming to an idea of sound(s) initially encountered as puzzling.
Sophie Haroutunian‐Gordon +1 more
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Некоторые аспекты творческого содружества И. Брамса и Й. Иоахима
Вестник музыкальной науки, 2016 В статье рассматривается многоплановое влияние на композиторскую деятельность великого И. Брамса его художественно-профессиональные контакты с выдающимся скрипачом Й. Иоахимом.
Гвоздев, Алексей Владимирович
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Faculty concert: John Daverio, violin, Maria Clodes Jaguaribe, piano [PDF]
, 2000 This is the concert program of the Faculty Concert: John Daverio, violin, Maria Clodes Jaguaribe, piano performance on Wednesday, February 23, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue.
School of Music, Boston University
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