Results 171 to 180 of about 4,102 (225)
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1991
Abstract One of the preconceptions that do more harm than good in musical analysis is the belief that it is a triumph of methodology if it can be shown that the entire motivic and thematic substance of a movement-and even the non-thematic components-derive from the same motivic ‘cell’, just one interval-succession.
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Abstract One of the preconceptions that do more harm than good in musical analysis is the belief that it is a triumph of methodology if it can be shown that the entire motivic and thematic substance of a movement-and even the non-thematic components-derive from the same motivic ‘cell’, just one interval-succession.
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The Musical Quarterly, 1941
A sonata is, as its name implies, a sound piece, and a sound piece alone; in its purest and most perfect examples, it is unexplained by title or text, and unassisted by voices; it is nothing but an unlimited concatenation of musical notes. Such notes have individually no significance; and even the simplest principles of their relative definition and ...
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A sonata is, as its name implies, a sound piece, and a sound piece alone; in its purest and most perfect examples, it is unexplained by title or text, and unassisted by voices; it is nothing but an unlimited concatenation of musical notes. Such notes have individually no significance; and even the simplest principles of their relative definition and ...
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Apical–basal polarity and the control of epithelial form and function
Nature Reviews Molecular Cell Biology, 2022Clare E Buckley, Daniel St Johnston
exaly
Abstract This chapter explores how variation—as a multifaceted, dynamic process—can contribute productively to sonata form construction. The relationship between variation and sonata form has undergone significant change since the latter’s emergence in the eighteenth century.
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