Results 181 to 190 of about 6,658 (218)
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1991
Abstract One of the preconceptions that do more harm than good in musical analysis is the belief that it is a triumph of methodology if it can be shown that the entire motivic and thematic substance of a movement-and even the non-thematic components-derive from the same motivic ‘cell’, just one interval-succession.
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Abstract One of the preconceptions that do more harm than good in musical analysis is the belief that it is a triumph of methodology if it can be shown that the entire motivic and thematic substance of a movement-and even the non-thematic components-derive from the same motivic ‘cell’, just one interval-succession.
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Schubert’s Sonata Forms and the Poetics of the Lyric
Journal of Musicology, 2006ABSTRACT Although recent scholarship has witnessed a welcome disavowal of the view that Schubert's formal and tonal designs in sonata form compositions bespeak the song composer's inability to master large-scale instrumental genres, it remains a commonplace to characterize Schubert's unorthodox practice as “lyrical.” Yet the historical ...
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