Results 211 to 220 of about 736 (258)
Some of the next articles are maybe not open access.
2020
In this chapter, the use by twentieth-century composers of tone color, or timbre is explained with examples by those who made its use central to their compositional output. Poland, freed from the bonds of communism and the Soviet state, relaxed controls over the arts and in 1956 initiated the Warsaw Autumn festival where avant-garde Polish and Western ...
openaire +2 more sources
In this chapter, the use by twentieth-century composers of tone color, or timbre is explained with examples by those who made its use central to their compositional output. Poland, freed from the bonds of communism and the Soviet state, relaxed controls over the arts and in 1956 initiated the Warsaw Autumn festival where avant-garde Polish and Western ...
openaire +2 more sources
A Reexamination of the Feature [Sonorant]: The Status of ‘Sonorant Obstruents‘
Language, 1993This paper argues for a feature called Sonorant Voice (SV), which replaces the traditional feature [sonorant]. It is underlyingly present in all sonorants and in obstruents that function as sonorants within a system. This feature differs from [sonorant] in several ways: (a) it defines the type of voicing present in sonorants, (b) it can be present in ...
openaire +1 more source
Language and Linguistics Compass, 2017
Abstract This metastudy summarizes 264 recent experimental works involving sonority. The discussion here centers around an accompanying appendix that lists several details of each study, including the research question or hypothesis, outcome, language of focus, stimuli used to probe for the effect of sonority, methodology used to ...
openaire +1 more source
Abstract This metastudy summarizes 264 recent experimental works involving sonority. The discussion here centers around an accompanying appendix that lists several details of each study, including the research question or hypothesis, outcome, language of focus, stimuli used to probe for the effect of sonority, methodology used to ...
openaire +1 more source
On deriving sonority: a structural account of sonority relationships
Phonology, 1992In this paper, I examine sonority and place of articulation constraints on the syllabification of consonants in clusters. I argue that (i) both sonority and place of articulation relationships are important in determining the syllabification of consonants in clusters, (ii) well-formed sonority and place relationships are detectable both through ...
openaire +1 more source
Janus Head, 2004
Through a critical reading of Hölderlin’s poetry and Heidegger’s thinking, this essay explores how thunder awakens us to the elemental, opens us to the elements through their boundaries or cracks, and brings the hum and clamor of things, their elemental voices, to our presence.
openaire +1 more source
Through a critical reading of Hölderlin’s poetry and Heidegger’s thinking, this essay explores how thunder awakens us to the elemental, opens us to the elements through their boundaries or cracks, and brings the hum and clamor of things, their elemental voices, to our presence.
openaire +1 more source
Sonorous Mechanics: The Culture of Sonority in Nineteenth-Century France
Nineteenth-Century Music Review, 2004On Wednesday 24 May 1871, during the uprising of the Paris Commune, the Sacristine of the convent of the Sœurs Auxiliatrices des Ames du Purgatoire was disturbed by the sound of rapidly approaching gunfire and explosions. From the secluded convent compound in the rue de la Barouillère in Paris, she wrote in the convent diary: ‘Everyone believes that ...
openaire +1 more source
2018
Les synesthésies qui émanent du sonore ou s’épanouissent en lui convoquent l’intuition romantique d’un univers musicalisé. Sur des bases renouvelées, nous voici amenés à affirmer, tout comme Herder, que « la nature, vue et sentie, résonne. […] Nous sommes en quelque sorte ouïe par tous les sens ».
openaire +1 more source
Les synesthésies qui émanent du sonore ou s’épanouissent en lui convoquent l’intuition romantique d’un univers musicalisé. Sur des bases renouvelées, nous voici amenés à affirmer, tout comme Herder, que « la nature, vue et sentie, résonne. […] Nous sommes en quelque sorte ouïe par tous les sens ».
openaire +1 more source
Restitution sonore et réintégration du sonore dans les sonores byzantines
2017Communication donnée lors de la journée d'étude "Relire et re-produire les musiques anciennes dans notre monde contemporain", Université d'Avignon, CIHAM et PRISM, Avignon, 4 décembre 2017.
openaire +1 more source