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On deriving sonority: a structural account of sonority relationships
Phonology, 1992In this paper, I examine sonority and place of articulation constraints on the syllabification of consonants in clusters. I argue that (i) both sonority and place of articulation relationships are important in determining the syllabification of consonants in clusters, (ii) well-formed sonority and place relationships are detectable both through ...
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Language and Linguistics Compass, 2017
Abstract This metastudy summarizes 264 recent experimental works involving sonority. The discussion here centers around an accompanying appendix that lists several details of each study, including the research question or hypothesis, outcome, language of focus, stimuli used to probe for the effect of sonority, methodology used to ...
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Abstract This metastudy summarizes 264 recent experimental works involving sonority. The discussion here centers around an accompanying appendix that lists several details of each study, including the research question or hypothesis, outcome, language of focus, stimuli used to probe for the effect of sonority, methodology used to ...
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2005
This paper establishes the claim that geminate sonorants are cross-linguistically marked, and furthermore, that the relative sonority of a geminate positively correlates with its markedness, i.e., the universal ranking *GEMGLIDE >> *GEMLIQUID >> *GEMNASAL holds. This ranking is supported by a cross-linguistic survey of geminate inventories (
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This paper establishes the claim that geminate sonorants are cross-linguistically marked, and furthermore, that the relative sonority of a geminate positively correlates with its markedness, i.e., the universal ranking *GEMGLIDE >> *GEMLIQUID >> *GEMNASAL holds. This ranking is supported by a cross-linguistic survey of geminate inventories (
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Restitution sonore et réintégration du sonore dans les sonores byzantines
2017Communication donnée lors de la journée d'étude "Relire et re-produire les musiques anciennes dans notre monde contemporain", Université d'Avignon, CIHAM et PRISM, Avignon, 4 décembre 2017.
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2018
Les synesthésies qui émanent du sonore ou s’épanouissent en lui convoquent l’intuition romantique d’un univers musicalisé. Sur des bases renouvelées, nous voici amenés à affirmer, tout comme Herder, que « la nature, vue et sentie, résonne. […] Nous sommes en quelque sorte ouïe par tous les sens ».
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Les synesthésies qui émanent du sonore ou s’épanouissent en lui convoquent l’intuition romantique d’un univers musicalisé. Sur des bases renouvelées, nous voici amenés à affirmer, tout comme Herder, que « la nature, vue et sentie, résonne. […] Nous sommes en quelque sorte ouïe par tous les sens ».
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The Sonorous Spectacle World Music Performance Practices as Discourse aims to situate contemporary world music performance practice as a sonorous spectacle. It does so in order to shed light on the power relations involved in and the discursive nature of musical performance within world music and to explore the various idiosyncrasies of the category ...
Granger, Charissa Arlette +4 more
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Granger, Charissa Arlette +4 more
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Espace sonore: conception sonore de l’espace architectural. [PDF]
info:eu-repo/semantics ...
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Modeling Sonority in Terms of Pitch Intelligibility With the Nucleus Attraction Principle
Cognitive Science, 2022Aviad Albert, Bruno Nicenboim
exaly

