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Sound Art and Pandemic: A Documentary Soundscape
Symbolon, 2022 The pandemic has temporarily changed our lives; there is no doubt that we are rapidly moving into a digital and virtual society; however, we so far do not know when this change will end, despite the emergence of post-pandemic terminology.
Peirui Yang
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AN ELUCIDATION OF PUBLIC SOUND ART THROUGH A NON-SONOROUS TRADITION
SoundEffects, 2012 The origins of sound art are usually traced to previous sonorous artistic manifestations such as futurism or fluxus (see Labelle, 2006; Kahn, 1999). However, in non-sonorous manifestations it is also possible to appreciate some features of sound art that
María Andueza Olmedo
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Journal of Science and Technology of the Arts, 2021 Austrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 ...
Bertrand Chavarria-Aldrete
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Software agents in music and sound art research/creative work: Current state and a possible direction [PDF]
, 2009 Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various ...
Whalley, Ian
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SoundEffects, 2013 This article is based on examples of contemporary audiovisual art with a primary focus on the Tony Oursler solo exhibition Face to Face in Aarhus Art Museum ARoS, 2012.
Ansa Lønstrup
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ТHE METHODOLOGICAL SUPPORT OF SOUND ENGINEERING TRAINING OF FUTURE MASTERS OF MUSICAL ART
Відкрите освітнє е-середовище сучасного університету, 2020 The article is devoted to specifying the basics of methodological support of sound processing training of future masters of musical art of performing specializations in the specialty «Musical Art».
Олексій Корякін
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The Bodiliness of Listening: From Vibration to Meaning in the Psychology of Sound Art
Corpus MundiDespite the “sonic turn” in the humanities, the psychology of sound art retains a visual-centric and cognitive bias. The analysis of sound is often reduced to its semantic interpretation and emotional associations, while its fundamental, material nature ...
Anna M. Sosnovskaya, Alexander V. Markov
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, 2018 The artistic achievements demanded in the recording process are as demanding as those expected in an ephemeral live performance, with the difference that a recording will last over time. In this paper a discussion is made on how sound recordings have evolved toward facilitating more-and-more control over the perceptual attributes which allow the ...
Conceição, Marco, Furlong, Dermot
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An analysis of logistics financing prospects in Singapore [PDF]
SHS Web of Conferences, 2023 Singapore is well-positioned as a global hub for logistics and supply chain management. Singapore’s modern logistics industry has five main characteristics: high efficiency, robust technology, strong professionalism, high service concentration and ...
Shao Shiyu, Yang Zixuan, Si Wenjia
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Rotting Sounds . Artistic Research Practice in Experimental Sound Art [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2022 The majority of today’s media is produced in the digital domain. Although digital data are adorned by a myth of perfection, everyday experience does provide evidence for the existence of degradation and, ultimately, data loss in various forms.
Thomas Grill +2 more
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