Sound archaeology: terminology, Palaeolithic cave art and the soundscape [PDF]
World Archaeology, 2014 This article is focused on the ways that terminology describing the study of music and sound within archaeology has changed over time, and how this reflects developing methodologies, exploring the expectations and issues raised by the use of differing ...
Arias P. +41 more
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Looking for a place for Sonification: Sons de Silício and the Buzu installation
Per Musi, 2021 This paper discusses the concept of sonification aplied to the Sons de Silício exhibition and more specifically to the design of Buzu, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system.
Julian Jaramillo Arango +3 more
doaj +1 more source
Dead voices and lost sounds: an imagined sonic history
Revista Vortex, 2021 A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020.
Adrienne Kapstein
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Thinking with Susanne Langer: Sonar Entanglements with the Non-human
Open Philosophy, 2021 An aesthetic and epistemological departure from ocular centrism has occurred in the wake of current technological evolutions and the posthuman turn. The sonic exploration of the more-than-human takes artists and philosophers beyond anthropomorphism to ...
Gaikis Lona
doaj +1 more source
"I like how it looks but it is not beautiful" -- Sensory appeal beyond beauty [PDF]
, 2020 Statements such as “X is beautiful but I don’t like how it looks” or “I like how X looks but it is not beautiful” sound contradictory. How contradictory they sound might however depend on the object X and on the aesthetic adjective being used (“beautiful”
Briesen, Jochen +2 more
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Sound Event Detection with Sequentially Labelled Data Based on Connectionist Temporal Classification and Unsupervised Clustering [PDF]
, 2019 Sound event detection (SED) methods typically rely on either strongly labelled data or weakly labelled data. As an alternative, sequentially labelled data (SLD) was proposed.
Hou, Yuanbo +3 more
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Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
, 2020 This paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory ...
Tin Oberman +3 more
semanticscholar +1 more source
AN ELUCIDATION OF PUBLIC SOUND ART THROUGH A NON-SONOROUS TRADITION
SoundEffects, 2012 The origins of sound art are usually traced to previous sonorous artistic manifestations such as futurism or fluxus (see Labelle, 2006; Kahn, 1999). However, in non-sonorous manifestations it is also possible to appreciate some features of sound art that
María Andueza Olmedo
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Software agents in music and sound art research/creative work: Current state and a possible direction [PDF]
, 2009 Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various ...
Whalley, Ian
core +2 more sources