Results 1 to 10 of about 60,841 (265)
Journal of Science and Technology of the Arts, 2021 Austrian artist and director of ZKM Center for Art and Media in Karlsruhe, Germany, Peter Weibel (Odessa, 1944), curates a book/catalogue of the mythical exhibition Sound Art, Sound as Medium of Art, that took place between March 2012 and February 2013 ...
Bertrand Chavarria-Aldrete
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Rotting Sounds . Artistic Research Practice in Experimental Sound Art [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2022 The majority of today’s media is produced in the digital domain. Although digital data are adorned by a myth of perfection, everyday experience does provide evidence for the existence of degradation and, ultimately, data loss in various forms.
Thomas Grill +2 more
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An analysis of logistics financing prospects in Singapore [PDF]
SHS Web of Conferences, 2023 Singapore is well-positioned as a global hub for logistics and supply chain management. Singapore’s modern logistics industry has five main characteristics: high efficiency, robust technology, strong professionalism, high service concentration and ...
Shao Shiyu, Yang Zixuan, Si Wenjia
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Noise is Not Volume Alone – Ambiences and Drony Experiments in Music and Sound Art
Revista Vortex, 2021 Noise is a complex category that has been used to describe instances of disturbance and disruption in technical vocabulary and in many artistic languages. In music, and more precisely, in sound art, noise has been imbued with specific significations that
Ianni Luna
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Looking for a place for Sonification: Sons de Silício and the Buzu installation
Per Musi, 2021 This paper discusses the concept of sonification aplied to the Sons de Silício exhibition and more specifically to the design of Buzu, an audiovisual installation that generates an auditory image of the São Paulo bus transportation system.
Julian Jaramillo Arango +3 more
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Dead voices and lost sounds: an imagined sonic history
Revista Vortex, 2021 A project description of a sound art installation and interactive performance presented as part of the Up Close Festival in New York City in the winter of 2019/2020.
Adrienne Kapstein
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Thinking with Susanne Langer: Sonar Entanglements with the Non-human
Open Philosophy, 2021 An aesthetic and epistemological departure from ocular centrism has occurred in the wake of current technological evolutions and the posthuman turn. The sonic exploration of the more-than-human takes artists and philosophers beyond anthropomorphism to ...
Gaikis Lona
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Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání
Musicologica Brunensia, 2018 The main topic of this paper is the radio art of Japanese artist and theoretician Tetsuo Kogawa. Kogawa's use of miniature VHF FM transmitters, with range just about few hundred meters, created an idiosyncratic alternative to mainstream radio ...
Jan Sůsa
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Poéticas em arte sonora: entrevista com Paulo Nenflidio
Revista Vortex, 2021 Paulo Nenflidio, in his biographic note, presents himself as an artist who works at the intersection between art, science and technology. A multiple and inventive artist, his works comprise sculptures, installations, objects, instruments and drawings in ...
Roseane Yampolschi +2 more
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Le son peut-il être spectaculaire ? L’exemple de l’art sonore
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2010 The spectacular is undeniably related to the visual approach of the exhibitions. The sound art, as immaterial art, is by its nature set against this obviousness. Is it therefore on as free from spectacular ?
Céline Eloy
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