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Audiosfera jako kategoria literaturoznawcza. Próba przybliżenia zagadnienia
The audiosphere is a capacious, ambiguous category, often freely used in contextual research. It is a term that has long been present in literary studies, but is used quite freely.
Łukasz Piaskowski
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Literary work is the result of an author's imagination through the medium of language. One form of literary works is poetry. As a literary work, poetry is bound to lines and stanzas.
Dirneti Dirneti +2 more
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Language, Voice, and Performance
Language, Voice, and Performance. Notes on Lily Greenham’s Sound Poetry In this collective article, we argue for a wider recognition of Lily Greenham’s sound poetry, underscoring her artistic uses of multi lingualism and transnational collaboration ...
Cecilia Bello Minciacchi +5 more
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A terminology for electrophile‐nucleophile interactions based on names that refer to the electrophile group/atom may offer the advantage to be descriptive, consistent, complete, systematic, clear, and, most important, invariant. Likely, a terminology that employs only the terms σ‐hole bond, π‐hole bond, and p‐hole bond may not.
Andrea Pizzi +5 more
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Du texte à la performance, aller-retour : Vincent Tholomé entre scène et livre
Within the field of experimental writing, Vincent Tholomé’s work stands out for its simultaneous exploration of both sound poetry and visual poetry. At first sight, one might have the impression that both sides of the experimentation are elaborated in ...
Jan Baetens
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Onomatopoeic Words in Slovak: Everyday Use and Stylistic Function
Onomatopoeias — words that echo sounds from the extra-linguistic reality — are usually understood as units representing direct relationship between form and meaning.
Renáta Gregová
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Sound And Stasis in Pictorial Poetry
In this article I investigate how various representations of sound influence temporality and imagery in pictorial poetry. Literary pictorialism can be defined as a phenomenon that occurs when the fictional reality, psychological or physical, in a text is
Emma Tornborg
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Les sonorités dans les Aitia de Callimaque : aux origines de la poésie
We try to show from a few examples of the fragmentary collection of the Aitia that Callimachus is also sensitive to sound effects (alliterations, assonances, anagrams, sound chiasms) in the composition of his poetry and that this inclination is linked to
Christophe Cusset, Myrtille Rémond
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WHY WE NEED ONLINE ARCHIVES OF RECORDED POETRY
This article argues in favor of online archives of recorded poetry. While poetry has always been recited, the possibility of recording the voices of poets provides poetry with a new medium. Sound-recording technologies have existed for over a century and
Abigail Lang
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This poem took shape over several months of travel, it was written under the request of Serge Pey for the week against violence against women held at « La cave poésie » in Toulouse. "The Woman does not exist" evokes a quote from J.Lacan.
Siham Mehaimzi
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