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The Sounds of Poetry Viewed as Music
Annals of the New York Academy of Sciences, 2001Abstract: An extended parallel is developed between musical and prosodic structures, using the author's cognitively oriented music theory and recent work in generative phonology. For illustration, the sounds of a short poem by Robert Frost are treated entirely in musical terms.
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Can Sounds Narrate? Prosody in Sound Poetry Performance
CounterText, 2019Audionarratology posits, among other things, that sound (including voices, noise and silence) contributes significantly to narrative world-making. This point is explored in this article by looking at three oral performances of a Dada sound poem: Hugo Ball's ‘Karawane’ (1916).
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Listening to Peruvian Sound Poetry
Revista de Estudios Hispánicos, 2016Poetry has long been connected to popular oral cultural traditions in Peru. This article examines some recent examples of how these oral traditions have been transformed in contemporary mediatized performances in which sound is central. Bringing sound to the forefront confronts some of our cultural assumptions about how poetry operates and opens up ...
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Sound and Form in Modern Poetry.
American Literature, 1965Why are poems important? What do people mean when they use the word prosody? How does a poem read and sound? How does a poem's shape--its form--help to create its meaning? "Sound and Form in Modern Poetry" provides useful answers to these questions for readers of poetry.
Gay Wilson Allen, Harvey Gross
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Sense and Sound in Classical Poetry
The Classical Quarterly, 1942‘Saepe stilum vertas’, says Horace; and he had excellent company in his friend Virgil, who wrote the Aeneid at the rate of only about 900 lines a year, and spent hours in licking his verses into shape. It would have been instructive to sit at the elbow of these two poets, to see what they altered and what they rejected.
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2017
Sound exists because it is made and because it is heard. ‘The poetics of identity’ as a term may be defined in philosophical terms as the internal capacity for response to instinctive intellectual and cultural stimuli within the senses. This chapter introduces the theme of the book, which is that of exploring the idea of sound as a poetic concept, an ...
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Sound exists because it is made and because it is heard. ‘The poetics of identity’ as a term may be defined in philosophical terms as the internal capacity for response to instinctive intellectual and cultural stimuli within the senses. This chapter introduces the theme of the book, which is that of exploring the idea of sound as a poetic concept, an ...
openaire +1 more source