Results 241 to 250 of about 1,298 (283)
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Proceedings of the 7th International Conference on Tangible, Embedded and Embodied Interaction, 2013
Toward ecologically distributed interactions of sound in the real world, this paper presents an embodied auditory interface for a sound sculpture; it is composed of orientations' structure of sounds from directional speakers and a pedestal to capture a certain real space.
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Toward ecologically distributed interactions of sound in the real world, this paper presents an embodied auditory interface for a sound sculpture; it is composed of orientations' structure of sounds from directional speakers and a pedestal to capture a certain real space.
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Beak Disorder: A Sound and Sculpture Installation
Leonardo, 2018This paper discusses Leslie Sharpe’s sound and sculpture installation project “Beak Disorder,” exhibited at Manizales, Columbia for Balance-Unbalance 2016. The work addresses how anthropogenic climate change may be affecting birds in the Pacific Northwest regions of Canada and the United States.
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, 2001 Dirge: Black and Indigenous Hemispheric Burial, A Sound Sculpture
ASAP/Journal, 2022Tao Leigh Goffe +11 more
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"Kinesone I": A Kinetic Sound Sculpture
Leonardo, 1986Kinesone I was developed by an interdisciplinary team engaged in finding ways to integrate auditory and visual experience. The resulting kinetic sound-sculpture consists of 14 mobile assemblies, each of which produces a different musical tone when set in motion by the wind.
Lin Emery, Robert Morriss
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Moving air - a portfolio of sounding sculpture
2022This portfolio and commentary document the realisation of a series of sound art works which seek to explore aspects of the physical materiality of sounding objects. The portfolio consists of seven acoustic sound sculpture installations which were exhibited in both indoor and outdoor site-specific settings.
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Sculptural sounds: a co-compositional approach
RUUKKU - Studies in Artistic Research, 2020This article discusses a specific approach to sound from a sculptural perspective, based on an innovative process named "co-composition", in which physical and sonic material can be concurrently produced, rearranged and transformed in a solo environment.
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