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Sound Sculpture

Leonardo, 1977
Elena de Bertola, John Grayson
exaly   +2 more sources

Note to Sound and Sculpture

2011
Amos Elkana, Alexander Polzin
exaly   +2 more sources

Dirge: Black and Indigenous Hemispheric Burial, A Sound Sculpture

ASAP/Journal, 2022
Tao Leigh Goffe   +11 more
exaly   +2 more sources

"Kinesone I": A Kinetic Sound Sculpture

Leonardo, 1986
Kinesone I was developed by an interdisciplinary team engaged in finding ways to integrate auditory and visual experience. The resulting kinetic sound-sculpture consists of 14 mobile assemblies, each of which produces a different musical tone when set in motion by the wind.
Lin Emery, Robert Morriss
openaire   +1 more source

Sound, sculpture and presence

2018
This thesis will aim to explain my current art practice, which I locate in three projects undertaken during my time in our USC Roski MFA program. Through the use of images of my work and sources I will give insight into my work as an artist and a maker.
openaire   +1 more source

IRIS Sound Sculpture

2020
Binaural responses of Sound Sculpture based on the Acoustic Double Fishnet effect (IRIS)
openaire   +1 more source

Moving air - a portfolio of sounding sculpture

2022
This portfolio and commentary document the realisation of a series of sound art works which seek to explore aspects of the physical materiality of sounding objects. The portfolio consists of seven acoustic sound sculpture installations which were exhibited in both indoor and outdoor site-specific settings.
openaire   +2 more sources

Corporeality of Music and Sound Sculpture

Organised Sound, 2015
This article aims to sketch a theory of sound sculpture, one that would explain the variety of forms this artistic practice might take on and define it in relation to other art forms. My hypothesis is that in order to do this we must focus on the traits of sound sculpture connecting it to music rather than on those separating the two.
openaire   +1 more source

Basic concepts on sound sculptures design in soundscapes

The Journal of the Acoustical Society of America, 2017
The primitive development of visual sculptures was born for the rite and evolved toward the artistic object, that in parallel with the development of music and musical instruments. Currently with a broad sense conceptualization of the art object, the sculpture has evolved from an aesthetic object towards the concept of installation, a multisensory ...
Fernando J. Elizondo - Garza   +1 more
openaire   +1 more source

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