Results 251 to 260 of about 1,298 (283)

Basic concepts on sound sculptures design in soundscapes

The Journal of the Acoustical Society of America, 2017
The primitive development of visual sculptures was born for the rite and evolved toward the artistic object, that in parallel with the development of music and musical instruments. Currently with a broad sense conceptualization of the art object, the sculpture has evolved from an aesthetic object towards the concept of installation, a multisensory ...
Fernando J. Elizondo - Garza, Cesar Guerra -Torres   +1 more
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Sound, sculpture and presence

2018
This thesis will aim to explain my current art practice, which I locate in three projects undertaken during my time in our USC Roski MFA program. Through the use of images of my work and sources I will give insight into my work as an artist and a maker.
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Corporeality of Music and Sound Sculpture

Organised Sound, 2015
This article aims to sketch a theory of sound sculpture, one that would explain the variety of forms this artistic practice might take on and define it in relation to other art forms. My hypothesis is that in order to do this we must focus on the traits of sound sculpture connecting it to music rather than on those separating the two.
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On Electronic Sound Sculptures: Circuits and Aesthetics

Royal Conservatoire Research Portal, 2017
This paper is first and foremost concerned with my methods for designing, constructing and composing with freeform electronic sound sculptures. It covers the topics of circuit modularity, network communication, interaction and sonification as a means to create nonlinear music, as well as architectural concepts that are either being utilized or that ...
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Making Sculptures Audible through Participatory Sound Design

Leonardo Music Journal, 2013
A research group explores rendering sculptural forms as sound using echolocation and the participation of members of the visually impaired community.
Florian Grond, Adriana Olmos, Jeremy R. Cooperstock   +2 more
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'Sound sculptures' e 'Sound installations'

2010
L'articolo tratta dei principali problemi teoretici dedicati alla definizione, alla teoria e alla storia delle installazioni e delle sculture sonore, nell'alveo dell'evoluzione della musica e della multimedialità del XX secolo.
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Len Lye’s Kinetic Experiments: Sounds of Sculpture

Journal of Sonic Studies, 2018
When New Zealand artist Len Lye branched out into kinetic sculpture in 1958, his conceptualization was intimately connected to music. In the same way that some dance can enhance the music that accompanies it, Lye proposed that his kinetic sculpture was also naturally suited to this function as, like dance, its foundation is movement (Lye 1958: 7 ...
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Noise and Silence: The Contemporary Sound Sculptures of Adam Basanta

Journal of Sonic Studies, 2020
This article examines the radical and destabilizing potential of noise and silence, expressed by Canadian artist Adam Basanta’s sound sculpture practice. The author’s analysis is undertaken through a comparison of Basanta’s works to those of foundational sound artists, John Cage and Steve Reich, as well as contemporary sound sculpture practitioners ...
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Sound, space, sculpture: some thoughts on the ‘what’, ‘how’ and ‘why’ of sound diffusion

Organised Sound, 1998
Sound diffusion – the realtime (usually manual) control of the relative levels and spatial deployment during performance – is one of the most contentious issues in the field of electroacoustic music. There are parts of the world where the practice is virtually unknown; in other places it is the norm and appropriate facilities would be provided as a ...
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XEPA - autonomous intelligent light and sound sculptures that improvise group performances

ACM SIGGRAPH 2014 Art Gallery, 2014
XEPA anticipates a future where machines form their own societies. Going beyond mere generative art, machines will exhibit artistic creativity with the addition of artistic judgment via computational aesthetic evaluation. In such a future our notions of aesthetics will undergo a radical translation.
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