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The Role of Sound Art in Soundscape Design
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Designing personalized soundscape for care facilities
The Journal of the Acoustical Society of America, 2022Sound is a critical element in making people aware of their environment; it gives people a sense of place and time. Soundscape relies not only on the objective quality of sound by quantifying the sound level but also on the subjective quality of the auditory environment based on people's perceptions.
Arezoo Talebzadeh, Dick Botteldooren
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Soundscape evaluation based on participatory design
The Journal of the Acoustical Society of America, 2023The traditional soundscape assessment method assesses people’s perception of a selected acoustic environment using questionnaires or interviews. However, fewer studies have been done to investigate other methods for methodological triangulation.
Yichun Lu, Siu-Kit LAU
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FIVE LEVELS OF SOUNDSCAPE DESIGN
Inter-Noise 2022, 2023Siebein (2010) identified 5 levels of architectural soundscapes: inspiration; planning; conceptual structure; tectonics; and detail. Case studies of the use of the levels are presented to illustrate how architects often use inspiration and planning metaphors to begin the design of a building.
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Towards Participatory Design of City Soundscapes
2021Sonic environments of fast-growing urban areas are an integral part of the quality of our everyday living in cities. Due to the individual nature of the sonic experience, collecting and analyzing such experiences needs methods for gathering accurate and useful data about them.
Neuvonen Aura, Salo Kari
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Traffic design for soundscape improvements
The Journal of the Acoustical Society of America, 2014Different kinds of traffic contribute to urban acoustic environments and therefore have a major impact on urban soundscapes. The noise of traffic depends on several aspects such as traffic management, traffic routing, traffic composition, and infrastructure.
Klaus Genuit, André Fiebig
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A Tiny Field for Soundscape Design
Acoustic Ecology Review, 2023The author worked out his idea of the ‘soundscape museum’ as an experiment in order to put into practice ideas on soundscape design that can be executed by any individual citizen. He ran the Hirano Soundscape Museum (HSM) from 1998 to 2004 as part of a grass-roots activity for com- munity development in Hirano, Osaka, Japan.
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Designing Soundscapes for Argumentation
Philosophy & Rhetoric, 2018ABSTRACT This article asks if soundscapes are reasonable by inquiring if they can be designed to enhance the capacity for reasoned judgment. Using a normative pragmatic approach to argumentation theory, I demonstrate that soundscapes can be strategically designed to amplify or attenuate obligations, increase or weaken conviction, and ...
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