Results 191 to 200 of about 9,656,104 (238)
Sustainability, 2023 This paper provides a reflective review of an architectural design studio that utilized both social architecture and soundscape approaches to create human-centered and context-based designs for urban public spaces. During field research, students in the studio analyzed four different public spaces in Marina Central BID, Singapore, employing a ...
Joo Young Hong, Keng Hua Chong
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Soundscape descriptors and a conceptual framework for developing predictive soundscape models [PDF]
Landscape and Urban Planning, 2016 Soundscape exists through human perception of the acoustic environment. This paper investigates how soundscape currently is assessed and measured. It reviews and analyzes the main soundscape descriptors in the soundscape literature, and provides a ...
Jian Kang +2 more
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Soundscape in city and built environment: current developments and design potentials [PDF]
City and Built Environment , 2023 In the field of environmental acoustics, the conventional approach of reducing ‘sound level’ does not always deliver the required improvements in quality of life. Soundscape, defined by the ISO as the ‘acoustic environment as perceived or experienced and/
Jian Kang
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FIVE LEVELS OF SOUNDSCAPE DESIGN
Inter-Noise 2022, 2023Siebein (2010) identified 5 levels of architectural soundscapes: inspiration; planning; conceptual structure; tectonics; and detail. Case studies of the use of the levels are presented to illustrate how architects often use inspiration and planning metaphors to begin the design of a building.
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Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, 2019
The design of New Musical Interfaces (NMIs) has been informed by principles and methods core to Human-computer Interaction. Largely, the field of NMIs remains focused on usability as it evaluates and designs interfaces. Both fields, however, recognize but still wrestle with the need to adopt a more humanistic approach to both design and evaluation.
Trevor Glyn Hunter +3 more
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The design of New Musical Interfaces (NMIs) has been informed by principles and methods core to Human-computer Interaction. Largely, the field of NMIs remains focused on usability as it evaluates and designs interfaces. Both fields, however, recognize but still wrestle with the need to adopt a more humanistic approach to both design and evaluation.
Trevor Glyn Hunter +3 more
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A Tiny Field for Soundscape Design
Acoustic Ecology Review, 2023The author worked out his idea of the ‘soundscape museum’ as an experiment in order to put into practice ideas on soundscape design that can be executed by any individual citizen. He ran the Hirano Soundscape Museum (HSM) from 1998 to 2004 as part of a grass-roots activity for com- munity development in Hirano, Osaka, Japan.
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Soundscape design for a residential development: a case study
INTER-NOISE and NOISE-CON Congress and Conference Proceedings, 2023A soundscape approach was used for a co-housing development in Newcastle upon Tyne, UK. The outcomes are compared and contrasted with a conventional noise impact assessment. In-situ soundwalks were conducted with the co-housing group during daytime and night-time periods, covering locations with varied sounds and future uses.
S SAJEEV +4 more
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Designing personalized soundscape for care facilities
The Journal of the Acoustical Society of America, 2022Sound is a critical element in making people aware of their environment; it gives people a sense of place and time. Soundscape relies not only on the objective quality of sound by quantifying the sound level but also on the subjective quality of the auditory environment based on people's perceptions.
Arezoo Talebzadeh, Dick Botteldooren
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The Design and Formalization of an Embodied Soundscape Sonification Framework
International Journal of Human-Computer InteractionThis paper explores the design, evaluation, and formalisation of a framework for the creation of soundscape sonifications: data-to-sound mappings which make use of sounds recorded from real-world sources to communicate information to a listener. This approach is informed by design principles from the field of embodied cognitive science. It opens with a
Stephen Roddy
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