Results 31 to 40 of about 16,216 (202)
Decoding Emotional Signatures of Ethical Ads: An Analysis of Actor‐Viewer Synchrony
ABSTRACT We examine whether ethical advertisements differ from conventional ads in their on‐screen emotional signatures and whether those signatures transfer to actor‐viewer synchrony. Study 1 analyses 138 professionally produced YouTube ads using Automated Facial Expression Recognition (AFER) and Convolutional Neural Networks (CNN) to quantify actor ...
Vik Naidoo, Nicolas Hamelin
wiley +1 more source
Subjectification and Chronotopes in Early‐Career TESOL Teachers' Professional Development in Japan
Abstract This study presents case studies of three early‐career secondary TESOL teachers in Japan, focusing on their professional development experiences. Their narratives were collected in two phases: (1) reflective reports submitted by the teachers during the fourth year of their teacher training, which included reflections on their previous L2 ...
Yoshiyuki Nakata +2 more
wiley +1 more source
The Musicality of Traumatic Memories: A Video Essay
This video essay attempts an audiovisual analysis of subjectively motivated sounds and music in Lynne Ramsay’s We Need to Talk About Kevin (2011) based on Danijela Kulezic-Wilson’s ideas about “film musicality” and “integrated soundtracks”.
Oswald Iten
doaj +1 more source
Recycling sound in Commercials
Commercials offer the opportunity for intergenerational memory and impinge on cultural memory. TV commercials for foodstuffs often make reference to past times as a way of authenticating products.
Charlotte Rørdam Larsen
doaj +1 more source
Surrounded by Ear Candy?: The Use of Surround Sound in Oscar-nominated Movies 2000–2012
This article looks at surround sound in contemporary cinema, with the aim of discussing practices of sound design and, more particularly, pinpointing a ‘best practice’ of surround sound today – focusing here on the practices in the US.
Høier Svein
doaj +1 more source
ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford +2 more
wiley +1 more source
Intimate, a-rhythm autobiographical experiences, originating from my own life text, serve as initial rhetorical spaces in which possible melodies of persuasion can be heard.
Jan-Albert van den Berg
doaj +1 more source
Folkloric Voices in Neorealist Cinema: The Case of Giuseppe De Santis
Scholars agree that a fundamental incongruity lies at the core of neorealism’s “lack of audiophilia” (Sisto 2014). While neorealist directors aimed to bridge the gap between their films and the portrayed protagonists – notably marginalised, subaltern ...
Giuliano Danieli
doaj +1 more source
ABSTRACT Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export.
Di Cotofan Wu
wiley +1 more source
Musica ex machina:a history of video game music [PDF]
The history of video game music is a subject area that has received little attention by musicologists, and yet the form presents fascinating case studies both of musical minimalism, and the role of technology in influencing and shaping both musical form ...
McAlpine, Kenneth B.
core

