Results 31 to 40 of about 16,398 (222)

The effects of video-dubbing tasks on EFL students’ pronunciation of suprasegmental features and autonomy

Australian Journal of Applied Linguistics
The current study explored the effects of video-dubbing tasks on EFL students' pronunciation of suprasegmental features and autonomy. Participants (N = 10) were first-year students in the English Language Department, Faculty of Archaeology and Languages,
Marwa El-Garawany
doaj   +1 more source

Detection and Correction of Under-/Overexposed Optical Soundtracks by Coupling Image and Audio Signal Processing

EURASIP Journal on Advances in Signal Processing, 2008
Film restoration using image processing, has been an active research field during the last years. However, the restoration of the soundtrack has been mainly performed in the sound domain, using signal processing methods, despite the fact that it is ...
Etienne Decenciere, Abdelali Hassaine, Bernard Besserer, Jonathan Taquet   +3 more
doaj   +1 more source

Losing sight of atmospheric sounds in televised nature documentary [PDF]

, 2017
The production of soundtracks for televised nature documentaries involves complexities in balancing the audience's sonic perceptions and emotions with audio content and scientific rigour.
Delmotte, Isabelle A.
core   +1 more source

Bridging Leadership Development and Hip‐Hop Culture: Empowering Black Students Through Culturally Responsive Educational Approaches

New Directions for Student Leadership, Volume 2025, Issue 185, Page 89-95, Spring 2025.
ABSTRACT Hip‐hop music and culture have existed for decades in the United States. Since the 1970s, five critical elements have been defined as parts of hip‐hop culture: the MC (oral), the DJ (aural), graffiti (visual), knowledge (mental), and breakdancing (physical).
Jesse R. Ford, Jason K. Wallace, Johnnie L. Allen   +2 more
wiley   +1 more source

«Nostalgia, romanticismo e cafonate teribbbili»: la musica da cinepanettone

Schermi, 2020
The so-called “cinepanettone” has been one of the most typical genres of Italian popular cinema since 1983. Compiled soundtracks made up of the latest pop hits and commercial house music are unquestionably among the most prominent conventions defining ...
Jacopo Tomatis
doaj   +1 more source

Post-Independence Group Reading Communism Via Independent Documentary Soundtracks [PDF]

, 2016
Regarding the issue of independence documentary, the key question that must be considered is whether a message that’s trying to convey to the target groups or audiences are fully achieved?
Ali, Mohd. Nor Shahizan, Fleming, Dan, Samani, Mus Chairil   +2 more
core  

Listen to Nice [PDF]

, 2013
In describing Humphrey Jennings’ wartime documentary propaganda film, 'Listen to Britain' (1942), a film with an overtly poetic sensibility and dominantly musical soundtrack, John Corner asserts that ‘through listening to Britain, we are enabled to ...
Aitken Ian, Aldgate Anthony, Anderson Lindsay, Barsam Richard, Birtwistle Andy, Caux Jacqueline, Cavalcanti Alberto, Chanan Michael, Corner John, Elsaesser Thomas, Grierson John, Grierson John, Grierson John, Hill John, Hubble Nick, Jennings Humphrey, Kaufman Boris, Korda Alexander, Marley Keith, Mitchell Donald, Nicholls Bill, Pudovkin V. I., Pérez Fernando, Ruby Jay, Ruttmann Walter, Salles Gomez P.E., Sussex Elizabeth, Sussex Elizabeth, Tomlinson Charles, Vaughan Dai, Vertov Dziga, Vigo Jean, Watt Harry, Watt Harry   +33 more
core   +1 more source

The Musicality of Traumatic Memories: A Video Essay

Alphaville: Journal of Film and Screen Media
This video essay attempts an audiovisual analysis of subjectively motivated sounds and music in Lynne Ramsay’s We Need to Talk About Kevin (2011) based on Danijela Kulezic-Wilson’s ideas about “film musicality” and “integrated soundtracks”.
Oswald Iten
doaj   +1 more source

Recycling sound in Commercials

SoundEffects, 2012
Commercials offer the opportunity for intergenerational memory and impinge on cultural memory. TV commercials for foodstuffs often make reference to past times as a way of authenticating products.
Charlotte Rørdam Larsen
doaj   +1 more source

Surrounded by Ear Candy?: The Use of Surround Sound in Oscar-nominated Movies 2000–2012

Nordicom Review, 2020
This article looks at surround sound in contemporary cinema, with the aim of discussing practices of sound design and, more particularly, pinpointing a ‘best practice’ of surround sound today – focusing here on the practices in the US.
Høier Svein
doaj   +1 more source