Results 71 to 80 of about 16,216 (202)

LSTM-Based Framework for the Synthesis of Original Soundtracks

open access: yesIEEE Access
Recently, significant developments have been made in Long Short-Term Memory (LSTM) networks within the realm of synthesis music. Notwithstanding these advancements, several challenges persist warranting further research.
Yuanzhi Huo, Mengjie Jin, Sicong You
doaj   +1 more source

Art as collaboration: 50 years of Edition Hansjörg Mayer [PDF]

open access: yes, 2013
Extensive interview with artist, graphic designer and publisher Hansjörg Mayer by Eleanor Vonne Brown and Gustavo Grandal Montero, focusing particularly on his seminal work of the 1960s.
Brown, Eleanor Vonne   +2 more
core  

Finding new music: a diary study of everyday encounters with novel songs [PDF]

open access: yes, 2007
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (that is, music that we haven’t heard before) and relates these behaviours to music information retrieval activities such as music searching and music ...
Bainbridge, David   +2 more
core   +1 more source

Transient Analysis for Music and Moving Images: Consideration for Television Advertising [PDF]

open access: yes, 2014
In audiovisual composition, coupling montage moving images with music is common practice. Interpretation of the effect on an audioviewer's consequent interpretation of the composition is discursive and unquantified.
Gibson, Ian, Rogers, Andrew
core   +1 more source

Looking Back at the (French) Opera-Film

open access: yesOpen Screens, 2018
Films focusing on music, whether musicals or biographies of singers, have had considerable success in the last decade; and opera has been increasingly incorporated into film soundtracks.
Phil Powrie
doaj   +2 more sources

Actor-Subjects, their Voice, and their Relationship with the Mother Figure

open access: yesRevista Brasileira de Estudos da Presença, 2016
This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression.
Simone Nogueira Rasslan   +1 more
doaj  

L’esthétique percussive de la Famicom et de la Nintendo Entertainment System de 1983 à 1987

open access: yesSciences du Jeu
This article explores the evolution of percussion orchestration in music composed for the Nintendo Entertainment System between 1983 and 1987. The NES’s noise channel is used for creating sound effects and percussion instruments, and its technical ...
Joseph Chang
doaj   +1 more source

Endless loop: A brief history of chiptunes

open access: yesTransformative Works and Cultures, 2009
Chiptune refers to a collection of related music production and performance practices sharing a history with video game soundtracks. The evolution of early chiptune music tells an alternate narrative about the hardware, software, and social practices of ...
Kevin Driscoll, Joshua Diaz
doaj   +1 more source

Expressions of Authenticity: Music for Worship [PDF]

open access: yes, 2007
This chapter examines the shifting conceptions of authenticity with regard to music for worship in British churches since 1945. This version reflects exactly that published, but is not typeset.
Jones, Ian, Webster, Peter
core  

The corrido as Counterculture in Felipe Cazals’ Canoa.

open access: yesModern Languages Open, 2014
This article examines the use of the traditional ballad form known as the corrido in Felipe Cazals' Canoa (1975). Although rock music dominated the soundtracks of features made by directors like Cazals in 1970s Mexico, who sought to break away from a ...
Catherine Leen
doaj   +1 more source

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