Results 71 to 80 of about 16,398 (222)
Journal of the Society for Information Display, Volume 34, Issue 2, Page 49-67, February 2026.Modern AI systems can now synthesize coherent multimedia experiences, generating video and audio directly from text prompts. These unified frameworks represent a rapid shift toward controllable and synchronized content creation. From early neural architectures to transformer and diffusion paradigms, this paper contextualizes the ongoing evolution of ...
Charles Ding, Rohan Bhowmik
wiley +1 more source
Attitudes towards documentary soundstracks - Between emotional immersion and critical reflection
MedieKultur: Journal of Media and Communication Research, 2010 Musical experience is often related to an emotional and imaginative engagement of the listener. Discourses of journalistic documentaries relate primarily to inferential knowledge systems in which the uses of background music as a communicative device ...
Iben Have
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‘Hey! Hey! I've seen this one, I've seen this one. It's a classic’: Nostalgia, repeat viewing and cult performance in Back to the Future [PDF]
, 2013 This article examines the enduring popularity of Back to the Future (Robert Zemeckis, 1985) and its status as an emergent cult blockbuster for a new generation of fans.
Pett, Emma
core
A Poetic Analysis of Youth's Critical Literacies as a Way of Being in and Beyond School
Journal of Adolescent &Adult Literacy, Volume 69, Issue 4, January/February 2026.ABSTRACT This article explores the critical literacies of Black and Latinx high school students who participated in a youth participatory action research project focused on racial injustice in education. The author utilizes poetic analysis of data collected in research about youth's work to viscerally render youth's everyday ways of employing critical ...
Aimee Hendrix‐Soto
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LSTM-Based Framework for the Synthesis of Original Soundtracks
IEEE AccessRecently, significant developments have been made in Long Short-Term Memory (LSTM) networks within the realm of synthesis music. Notwithstanding these advancements, several challenges persist warranting further research.
Yuanzhi Huo, Mengjie Jin, Sicong You
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A Cinema’s Female Worker in a Musical Key: Ana Satrova
Anuario Musical, 2016 Despite the remote origin of women in music, today the presence of names of women dedicated to musical composition remains limited in historiography. Also references to fi lm music composers are even more unusual, although cinema is probably the most ...
Virginia Sánchez Rodríguez
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Spain and Portugal: Films and Videorecordings at the University of Pittsburgh [PDF]
, 2006 This list of the University of Pittsburgh Collection of Spain: films and videorecordings contains materials housed in the following locations: 1) Hillman Library (HILL) - Center for Instructional Development & Distance Education, G-20 2) MUSIC LIBRARY ...
Lozano, Eduardo, Mantilla, Martha E
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L’esthétique percussive de la Famicom et de la Nintendo Entertainment System de 1983 à 1987
Sciences du JeuThis article explores the evolution of percussion orchestration in music composed for the Nintendo Entertainment System between 1983 and 1987. The NES’s noise channel is used for creating sound effects and percussion instruments, and its technical ...
Joseph Chang
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Looking Back at the (French) Opera-Film
Open Screens, 2018 Films focusing on music, whether musicals or biographies of singers, have had considerable success in the last decade; and opera has been increasingly incorporated into film soundtracks.
Phil Powrie
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Actor-Subjects, their Voice, and their Relationship with the Mother Figure
Revista Brasileira de Estudos da Presença, 2016 This paper aims to investigate, employing Foucault’s archaeological approach, notions of subjectivity in which actors become subjects of their own musical practice, particularly of their vocal expression.
Simone Nogueira Rasslan +1 more
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