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TRANSFORMATION OF THE ANTAGONIST’S IN SOVIET CINEMA

Humanities science current issues
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The Cinema of the Soviet Thaw

2023
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THE IMAGE OF A NURSE IN SOVIET AND POST-SOVIET CINEMA

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies, 2022
The article provides an analysis of the transformation in the film image of a nurse in the Soviet and post-Soviet times. The nursing staff is the most numerous in the entire hierarchy of physicians. Increasing the number of young people entering medical schools will greatly reduce the shortage of personnel in the industry, but it requires an increase ...
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Interpretations of the estate in Soviet cinema

Voprosy kul'turologii (Issues of Cultural Studies), 2023
The article analyzes the features, dynamics and ways of creating the image of the estate in Soviet cinema on extensive material. Being on the periphery of the cultural context of the era, the estate, nevertheless, proved to be in demand by Soviet cinema.
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Looking Back at Soviet Cinema

2021
The Cold War was fought on many fronts, including the ideological one. The cultural front was a distinct part of this ideological front. Most arguments against Soviet culture hinged on ‘freedom of expression’, ‘dogmatic socialist realism’ and ‘censorship’.
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Stalinism and Soviet Cinema

2013
Contributors: Derek Spring, Richard Tylor, Rashit Yangirov, Maya Turovskaya, Peter Kenez, Kaya Khokhlova, Maria Enzensberger, Leonid Kozlov, Ian Christie, Anna Lawton, Svetlana Boym, Julian ...
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Christian motives in Soviet cinema

Orthodoxia, 2023
The paper highlights the history of emergence and development of Christian motives in Soviet cinema, from the times of persecution against the Church in 1920–1930 up to the era of Perestroika. There is a difference in the perception of Christianity as the basis of traditional ethno-cultural identity and as the basis of universal moral values, which in ...
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Jewish themes in the Soviet Cinema

Soviet Jewish Affairs, 1986
(1986). Jewish themes in the Soviet Cinema. Soviet Jewish Affairs: Vol. 16, No. 3, pp. 29-42.
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Socialist realism in Soviet cinema

New Cinemas: Journal of Contemporary Film
After the period of experimentation of the cinema of agitprop of the 1920s, the USSR develops after 1932 a dogmatic conception of ‘socialist realism’ in arts. Unsuitable for cinema, it will nevertheless be used to produce numerous films for more than thirty years.
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