Results 201 to 210 of about 33,419 (256)
Data-centric review of multimodal emotion recognition: datasets, feature extraction, data fusion and limitations. [PDF]
Front Robot AIKhanra M, Roy SS.
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The 27th International Conference on 3D Web Technology, 2022
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Nicholas F. Polys, Noam Bendelac
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Nicholas F. Polys, Noam Bendelac
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Proceedings of the 16th International Conference on 3D Web Technology, 2011
In audio-graphic scenes, visual and audio modalities are synchronized in time and space, and their behaviour is determined by a common process. We present here a novel way of modeling audio-graphic content for interactive 3D scenes with the concept of sound processes and their activation through 2D or 3D profiles.
Hui Ding 0001 +3 more
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In audio-graphic scenes, visual and audio modalities are synchronized in time and space, and their behaviour is determined by a common process. We present here a novel way of modeling audio-graphic content for interactive 3D scenes with the concept of sound processes and their activation through 2D or 3D profiles.
Hui Ding 0001 +3 more
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Spatial Audio and Room Acoustics
The Journal of the Acoustical Society of America, 2011Schroeder’s interest in the behavior of sound in small enclosures eventually lead to the use of statistical methods of digital signal processing to estimate and track a room’s response for echo control. He showed that a small frequency shift (5 Hz) in a loudspeaker-enclosure-microphone system could be used to mitigate the coupling feedback in public ...
James E. West, Josh Atkins
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The Evolution of Spatial Audio in the AlloSphere
Computer Music Journal, 2016Spatial audio has been at the core of the multimodal experience at the AlloSphere, a unique instrument for data discovery and exploration through interactive immersive display, since its conception. The AlloSphere multichannel spatial audio design has direct roots in the history of electroacoustic spatial audio and is the result of previous activities
Andrés Cabrera +2 more
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Spatial audio technology for telepresence
BT Technology Journal, 1997As people start to exploit new telepresence technologies to meet and work, they will be able to exploit all of their senses as they transmit, receive, and monitor information. An essential part of such three-dimensional spaces is the audio landscape. People are able to detect a wide variety of sounds and separate them in space.
M P Hollier, A N Rimell, D Burraston
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Introduction to the Issue on Spatial Audio
IEEE Journal of Selected Topics in Signal Processing, 2015The papers in this special issue focus on spatial audio technology and applications for its use. Spatial audio is an area that has gained in popularity in the recent years. Audio reproduction setups have evolved from the traditional two-channel stereophonic setup towards multi-channel loudspeaker setups. Advances in acoustic signal processing even made
Ando, Akio +5 more
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Composition and Perception in Spatial Audio
Computer Music Journal, 2017This article discusses the advantages of spatial audio, in general, followed by strategies for applying spatial components to composition. The discussion then looks ahead to questions that may be solved by future implementations of spatial software and hardware. Despite the fact that technical systems for spatial audio have been in use since the 1950s,
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Mobile spatial audio interfaces
Proceedings of the 9th international conference on Human computer interaction with mobile devices and services, 2007For an increasing amount of people (especially young people), the mobile phone, and not the computer, is becoming their main media device and portal to the virtual world. Mobile phones have become a ubiquitous technology and for many people an important tool for communication and information access.
Owen Noel Newton Fernando +2 more
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