Results 241 to 250 of about 228,575 (301)
Deux ou trois choses que nous savons d’eux : publics de cinéma
Myriam Juan, Christophe Trebuil
doaj
Non-accidental violence toward sport officials: a scoping review. [PDF]
Pereira Vargas MLF +4 more
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Probabilistic inference of social presence across brain scales reveals enhanced synaptic efficacy. [PDF]
Esmaeili A +9 more
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Surreal amputations and the illusion of absence in the arts of magic and photography. [PDF]
Ekroll V +3 more
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Apparent Pathologies in Stochastic Entropy Production in the Thermalisation of an Open Two-Level Quantum System. [PDF]
Dexter J, Ford IJ.
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Contemporary Theatre Review, 2000
This article, which deals with young spectators, presents an innovative research tool for children's and youth theatre - memory. It relates to the memories left by the various performed plays, their characters and design. Regarding case studies in educational drama, the research indicates a new, important and interesting direction.
Deldime, Roger, Pigeon, Jeanne
openaire +2 more sources
This article, which deals with young spectators, presents an innovative research tool for children's and youth theatre - memory. It relates to the memories left by the various performed plays, their characters and design. Regarding case studies in educational drama, the research indicates a new, important and interesting direction.
Deldime, Roger, Pigeon, Jeanne
openaire +2 more sources
The Spectator in Drama/Drama in the Spectator
Modern Drama, 1984The theoretical maneuver by which the reader came to occupy the space vacated by the disappearing author did not remain unquestioned for long. The reader — whether it be the "mock—reader," the "model reader," the "implied reader," the "super reader," or even the "real reader (me )" — could hardly withstand the pressure exerted by contemporary literary
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Film Quarterly, 2013
FQ Columnist Amelie Hastie responds to Jacques Audiard's award-winning film Dheepan (2015), and acknowledges a long-standing attention to the filmmaker's work, stating: “Jacques Audiard's films move me. To screams, to tears, to fits of desire. I can remember every theatrical viewing of each of his films I have seen.” Hastie's column goes on to consider
openaire +1 more source
FQ Columnist Amelie Hastie responds to Jacques Audiard's award-winning film Dheepan (2015), and acknowledges a long-standing attention to the filmmaker's work, stating: “Jacques Audiard's films move me. To screams, to tears, to fits of desire. I can remember every theatrical viewing of each of his films I have seen.” Hastie's column goes on to consider
openaire +1 more source

