Results 251 to 260 of about 30,394 (309)
An exploration of the editing cut as an articulator in film through frequency domain analysis of spectator EEGs. [PDF]
Front NeurosciSanz-Aznar J.
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Theoretical Insights into the Resonant Suppression Effect in Vibrational Polariton Chemistry. [PDF]
J Am Chem SocVega SM, Ying W, Huo P.
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Contemporary Theatre Review, 2000
This article, which deals with young spectators, presents an innovative research tool for children's and youth theatre - memory. It relates to the memories left by the various performed plays, their characters and design. Regarding case studies in educational drama, the research indicates a new, important and interesting direction.
Deldime, Roger, Pigeon, Jeanne
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This article, which deals with young spectators, presents an innovative research tool for children's and youth theatre - memory. It relates to the memories left by the various performed plays, their characters and design. Regarding case studies in educational drama, the research indicates a new, important and interesting direction.
Deldime, Roger, Pigeon, Jeanne
openaire +2 more sources
The Spectator in Drama/Drama in the Spectator
Modern Drama, 1984The theoretical maneuver by which the reader came to occupy the space vacated by the disappearing author did not remain unquestioned for long. The reader — whether it be the "mock—reader," the "model reader," the "implied reader," the "super reader," or even the "real reader (me )" — could hardly withstand the pressure exerted by contemporary literary
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Film Quarterly, 2013
FQ Columnist Amelie Hastie responds to Jacques Audiard's award-winning film Dheepan (2015), and acknowledges a long-standing attention to the filmmaker's work, stating: “Jacques Audiard's films move me. To screams, to tears, to fits of desire. I can remember every theatrical viewing of each of his films I have seen.” Hastie's column goes on to consider
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FQ Columnist Amelie Hastie responds to Jacques Audiard's award-winning film Dheepan (2015), and acknowledges a long-standing attention to the filmmaker's work, stating: “Jacques Audiard's films move me. To screams, to tears, to fits of desire. I can remember every theatrical viewing of each of his films I have seen.” Hastie's column goes on to consider
openaire +1 more source